With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Lambrini Girls, Who Let the Dogs Out
The UK duo hurls hand grenades in the direction of contemporary society’s myriad ills across their riotously fun yet deadly serious indie-punk debut.
Franz Ferdinand, The Human Fear
The Scottish rockers’ sixth album leans into variety with the help of a new lineup, though most of the LP’s highlights come in the form of singles exhibiting the band’s tried-and-true sound.
Ethel Cain, Perverts
More of an immersive art installation than an album, this 90-minute drone project is every bit as moving as its pop predecessor despite feeling deliberately difficult.
Paul Veracka
Now 15 years into their career, the West Coast garage rockers discuss adding new dimensions to their sound on their latest LP, The Moon Is in the Wrong Place.
Chad Clark helms a reissue of his band’s earliest recordings, featuring some of the most left-field, catchy, and brilliant post-punk of the early aughts.
The songwriter discusses the importance of humor, collaboration, and exploration on his new album Heartmind.
Thom Yorke, Jonny Greenwood, and Tom Skinner enter the playground of experimental rock as a unit for the first time and establish themselves as a uniquely powerful force.
The ambient stalwart and prolific guitarist combine forces to create sweeping odes to the natural world, friendship, and the things that make no sense at all.
With her maturity and creative flexibility, Yanya uses knife-like precision to sculpt a record from intimate heartache.