Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Boards of Canada, Inferno
The Scottish duo’s first album in 13 years is their most evocative yet, presenting a series of down-tuned tones and dark chordal scores rippling with cryptic samples and robo-voice blips.
Paul McCartney, The Boys of Dungeon Lane
On his 20th album, the octogenarian pop-rock architect builds a time machine out of scuffed acoustic guitars, warm tape hiss, and the kind of indelible melodies that cast a long shadow.
Iceage, For Love of Grace & the Hereafter
By returning to the rustic environment that birthed their mid-career peak, the Danish post-punks rekindle their core artistic flame with a masterclass in controlled chaos.
Reed Strength
In 2008, Atlanta’s preeminent indie rock band made a record to become more than just that—but only tentatively so.
The Portland trio called it quits this week, but for many, they leave behind a fiery legacy that can’t be put out.
The proggy psych septet destroyed any traditional conception of a release cycle last year, but each of their five LPs are worth talking about on their own.
With an art exhibit and a debut solo album to offer, the ever-busy lyricist and visual artist opens up on his creative process with expected verbosity and frankness.
To love The War on Drugs, to gain a deeper understanding like the title of their latest album suggests, is to constantly return to the echoing canyons of dreamy classic rock they’ve spent over a decade now forming.
