With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Damien Jurado, Reggae Film Star
The songwriter’s 18th LP is a haunted concept album that brings to life the tired hearts, souls, and minds of characters based in a distant, perhaps parallel, past.
Martin Courtney, Magic Sign
The Real Estate vocalist’s second solo LP can coast by in one moment before jolting you back to bygone days with a sharp turn of phrase or instrumental U-turn.
Wire, Not About to Die
For Wire fanatics, this often-coarse collection of Chairs Missing/154-era demos is a necessity.
Sam C. Mac
Pop hero to trap villain and back again.
The singer’s new suite of works—”Blonde,” “Endless,” and “Boys Don’t Cry”—exists on its own terms, turning his understanding of fluid identification into an aesthetic.
The pair of female protagonists at the center of this apocalypse thriller provide the only wrinkle in an otherwise rote genre film.
The once (and future?) visionary director returns with this strongest flick since 2008’s “Be Kind Rewind.”
Kieran Darcy-Smith ably connects the dilemmas of the present with the hewing of the western frontier. His resolution leaves something to be desired.
The first season of Netflix’s Kyle Chandler–led serial drama offset its idyllic setting with a story of white-knuckle familial tension. Now creators Glenn and Todd Kessler and Daniel Zelman are doubling down.