Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Dua Saleh, Of Earth & Wires
The Sudanese-American songwriter’s second album blends R&B and electronic pop with spoken-word poetry to create a tapestry of lush sounds and mythic language.
Kraftwerk, Radio-Activity [50th Anniversary Edition]
This re-release presents a band that’s palatably gleeful to have figured out their formula with an astonishingly cohesive and weirdly poppy picture of a Cold War–fogged world.
Towa Bird, Gentleman
The shred-bending guitarist is out for blood on her second LP as she channels femme-punk fury and four-on-the-floor disco beats into songs aiming to bust the heads of the pop patriarchy.
Steve Horton
Four decades since the release of this misunderstood classic, the film’s actors, puppeteers, and musicians reflect on its legacy.
Ian Tuason’s offbeat and modern creep-fest uses cinematography and sound design to transcend gimmicks and make your skin crawl.
A satisfying sequel to the 2021 tongue-in-cheek ex-assassin suburban dad story finds Bob Odenkirk’s Hutch desperately wanting a break.
Ethan Coen and Tricia Cooke’s second installment in their “lesbian B-movie trilogy” has a terrific ensemble and miles of style, but comes with serious third-act problems.
Remastered in 4K, Rob Reiner’s satire of aging-rock-band tour docs returns to theaters this month ahead of its sequel planned for September.
Alex Ross Perry’s three-hour documentary is a love letter to the video store in cinema—albeit one perhaps best suited to equally bygone attention spans.
Director/writer/star Eva Victor’s darker-than-black comedy debut addresses heavy subject matter through unexpected tones and structures.
Wes Anderson’s latest is a very funny quest film where the quest doesn’t matter.
With their second film, brothers Michael and Danny Philippou bring us a tale of dark resurrection and the chaos that ensues.
