Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Reviews
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@, Autosmile
The experimental duo coil psychedelic-folk introspection around prog-rock guitar flourishes across the dramatically pivoting tracklist of their acoustically oriented debut for 4AD.
Rachel Chinouriri, I Think I Spoke Too Soon
On her second album, the English artist pivots to clubbier sounds that both satisfy and sting as she suppresses loneliness with a fake smile and a polished dance-pop sheen.
Fontaines D.C., Dopamine Chamber
Opting for a synthetic architecture over the driving guitar language of earlier records, the Dublin band shatters their sonic frontier to reveal a grim catechism for hyper-processed hedonism.
Steve Horton
Articles
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Film & TVFilm Review
“Backrooms” Review: The Pathway of Least Resistance
With his debut feature, YouTube wunderkind Kane Parsons brings forth endless rooms of unreality in which dread and unresolved trauma are given physical form.
June 02, 2026
Film & TV
Bowie, Henson, and the 40th Anniversary of “Labyrinth”: A Mini Oral History
Four decades since the release of this misunderstood classic, the film’s actors, puppeteers, and musicians reflect on its legacy.
April 30, 2026
Film & TVFilm Review
“Undertone”: A Hallucinatory Nightmare in Surround Sound
Ian Tuason’s offbeat and modern creep-fest uses cinematography and sound design to transcend gimmicks and make your skin crawl.
March 17, 2026
Film & TVFilm Review
“Nobody 2”: Fisticuffs, Firebombs, and Family
A satisfying sequel to the 2021 tongue-in-cheek ex-assassin suburban dad story finds Bob Odenkirk’s Hutch desperately wanting a break.
August 22, 2025
Film & TVFilm Review
“Honey Don’t!” Falls Short of the Coen Brothers’ Stylish Crime Thriller Canon
Ethan Coen and Tricia Cooke’s second installment in their “lesbian B-movie trilogy” has a terrific ensemble and miles of style, but comes with serious third-act problems.
August 19, 2025
Film & TVFilm Review
“This Is Spinal Tap” 41st Anniversary: A Preserved Moose on Stage
Remastered in 4K, Rob Reiner’s satire of aging-rock-band tour docs returns to theaters this month ahead of its sequel planned for September.
July 08, 2025
Film & TVFilm Review
“Videoheaven” Is as Endearingly Messy as a Mom-and-Pop Video Store
Alex Ross Perry’s three-hour documentary is a love letter to the video store in cinema—albeit one perhaps best suited to equally bygone attention spans.
July 02, 2025
Film & TVFilm Review
“Sorry, Baby”: A Healthy Trauma Response
Director/writer/star Eva Victor’s darker-than-black comedy debut addresses heavy subject matter through unexpected tones and structures.
June 25, 2025
Film & TVFilm Review
“The Phoenician Scheme”: Care for a Hand Grenade?
Wes Anderson’s latest is a very funny quest film where the quest doesn’t matter.
May 30, 2025
Film & TVFilm Review
“Bring Her Back”: She Is Risen Indeed
With their second film, brothers Michael and Danny Philippou bring us a tale of dark resurrection and the chaos that ensues.
May 28, 2025
