FLOOD

With his debut feature, YouTube wunderkind Kane Parsons brings forth endless rooms of unreality in which dread and unresolved trauma are given physical form.

Four decades since the release of this misunderstood classic, the film’s actors, puppeteers, and musicians reflect on its legacy.

Ian Tuason’s offbeat and modern creep-fest uses cinematography and sound design to transcend gimmicks and make your skin crawl.

A satisfying sequel to the 2021 tongue-in-cheek ex-assassin suburban dad story finds Bob Odenkirk’s Hutch desperately wanting a break.

Ethan Coen and Tricia Cooke’s second installment in their “lesbian B-movie trilogy” has a terrific ensemble and miles of style, but comes with serious third-act problems.

Remastered in 4K, Rob Reiner’s satire of aging-rock-band tour docs returns to theaters this month ahead of its sequel planned for September.

Alex Ross Perry’s three-hour documentary is a love letter to the video store in cinema—albeit one perhaps best suited to equally bygone attention spans.

Director/writer/star Eva Victor’s darker-than-black comedy debut addresses heavy subject matter through unexpected tones and structures.

Wes Anderson’s latest is a very funny quest film where the quest doesn’t matter.

With their second film, brothers Michael and Danny Philippou bring us a tale of dark resurrection and the chaos that ensues.