With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Various artists, True Names: A Benefit for Trans Youth
Worry Bead Records compiles tracks from Squirrel Flower, Remember Sports, 22° Halo, and more conjuring a wistful world of lo-fi elegance while raising funds for a very worthwhile cause.

Beach Bunny, Tunnel Vision
On their third album, Chicago’s grungey power-pop outfit neatly balances present-day anxieties with wistful nostalgia while sagely ruminating on existential struggle and broader social themes.

SUMAC & Moor Mother, The Film
Their debut collaboration stitches the poet/emcee’s potent oratory chops through the metal group’s free-form sounds to create an avant-garde epic concerning human rights, violence, and empire.
Taylor Ruckle

The LA-by-way-of-Chicago rapper discusses early influences—both musical and technological—and his eighth LP a tape called component system with the auto reverse.

Lloyd Ledingham’s latest track arrives ahead of their UK tour kicking off September 1 in Scotland.

Lili Trifilio talks feeling things in a big way on the Chicago outfit’s sophomore album, out now via Mom+Pop.

Their album Omniscient Cloud Cover comes out September 30 on Bob Nastanovich’s Brokers Tip Records.

Skye Holden offers a track-by-track breakdown of the album alongside an early stream of the full project.

The Chicago post-punks also answer a few Qs about their upcoming EP Nothing You Do Matters and working with Andrew.

The Winnipeg groups’ debut record 10/10 arrives September 9 via Midwest Debris.

Along with debuting a new visual for “Silent Waters,” Rachel Gordon breaks down the Philly hardcore group’s new album, out now via Quiet year.

The songwriter and filmmaker’s third album Catch the Light arrives June 17.

The beats on Florence Welch’s fifth album are more physical than ever, and the lyrics are darkly comic—all in service to that thrilling feeling of dancing on the edge of a knife.

Moaning bassist Pascal Stevenson’s debut solo record Scrutiny arrives June 17 via Felte.

The debut LP from the Hamilton, Ontario trio balances soaring guitars, soft atmospherics, and complicated spirituality.

A video for the track arrives ahead of the Pittsburgh group’s sophomore album, out June 3 via Crafted Sounds.

The Montana-based chiptune experimentalists’ debut LP Psychokinetic Love Songs is out April 29.

This reissue of the band’s final and least-praised record benefits most from the restored track order as intended by producer Nigel Godrich.

Shelby Dillon’s visual for the Falling in Love Is Not That Hard single arrives ahead of tonight’s album release show at The Hideout in Chicago.

While it doesn’t always live up to its most groundbreaking forebears, this sort-of posthumous release often succeeds in its own right.

The Chris Farren–directed visual announces Elise Okusami’s new album Nothing’s Ever Fine, which arrives April 8 via Polyvinyl.

The London-based indie rockers’ latest EP is an anti-formalist return to form.

The latest single from “Galactic Africa” pushes back on neo-colonialism in energetic Afrobeat fashion.