With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Wisp, If Not Winter
Natalie Lu’s debut leans into the “pop” side of dream pop, exploring the double-edged sword of yearning with big builds and a combination of delicacy and pummeling sound.

The Armed, The Future Is Here and Everything Needs to Be Destroyed
The Detroit punks’ sixth album is a consistent, melodic post-hardcore assault, maintaining a relentless pummeling in defiance to the system as much as it is to their recent pop streak.

OK Cool, Chit Chat
The Chicago duo pull the strings taut on their emo-pop debut, adding piano passages, guitar theatrics, and other flourishes to their established college-radio-rock sound.
Taylor Ruckle

The track arrives ahead of the “Jagged Little Pill” cast member’s debut album, “My Bed.”

The Québec-based songwriter celebrates the richness of her culture and the healing she’s achieved through transmitting it on her latest release.

The paradoxically upbeat single arrives ahead of their forthcoming self-titled EP.

The Palberta member’s solo debut channels the anguish and exhilarating possibility of a post-breakup period.

Taylor Vick’s comfort zone is the lilting, mid-tempo stuff her new album is founded on, opening up an expansive space around her nylon-string compositions.

Chamber-pop ornamentation and live-band grit weave around spiritual lyricism on the Cincinnati band’s third album.