Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Peaches, No Lube So Rude
Still stationed at the politicized meeting place of sexuality, queer iconography, feminism, and funk, there’s something sleekly hyperpop about the artist’s first album in over a decade.
Choker, Heaven Ain’t Sold
The crooning alt-R&B figure’s third album compresses you like a weighted blanket under its emotional stories of grief and loss distilled over seven years.
The Beach Boys, We Gotta Groove: The Brother Studio Years [Super Deluxe Edition]
Focusing on the band’s mid-’70s run (and its outtakes), this package is among the oddest, most experimental, and most fulfilling in Beach Boys box history.
Tess McGeer
In big-hearted documentary “The Biggest Little Farm,” a married couple leave Los Angeles behind to cultivate greener pastures.
Or: an essay meant to exorcise from myself the urge to get Jenny Lewis bangs again.
As of February 7, The CW will have aired three hundred episodes of the show that is a mournful and unwieldy sonnet on the myth of American greatness.
