With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Cory Hanson, I Love People
The Wand frontman’s fourth solo outing confronts American grift culture with hope and a communal spirit, as his backing players seem to prevent him from turning inward and catastrophizing.

Ethel Cain, Willoughby Tucker, I’ll Always Love You
The prequel to Preacher’s Daughter helps sprawl Hayden Silas Anhedönia’s narrative out even further while dialing up the intensity of her droning slowcore/shoegaze textures.

Osees, Abomination Revealed at Last
John Dwyer has crafted his most overtly political album yet in terms of both its lyrical and musical attack, with his band’s recent linear and pared-down punk style put to enjoyably cutthroat use.
Timothy Brown

Sharon Van Etten / photo by Adrian Santos
The breakout indie rocker is ready for her closeup. Is 2019 her year? Spoiler alert: yes.

One year after the tragic passing of singer Dolores O’Riordan, The Cranberries are having a moment.

It’s called “Lux Prima,” and it comes out in March.

The 1982 hit serenades the Namibia desert courtesy of an ambitious art installation.

St. Vincent / photo by Daniel Cavazos
Annie Clark got her “Blood Sugar Sex Magik” on during a special benefit for victims of the deadly Woolsey Fire.