Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Cut Worms, Transmitter
Produced by Jeff Tweedy, Max Clarke’s fourth album tampers down the luster of past records, grounding aspects of the indie-folk songwriter’s music that once seemed impossibly pristine.
Kim Gordon, Play Me
Fully embracing the trashy SoundCloud-era internet aesthetic as she raps, sings, and shreds over industrial clatter, this is the sound of an artist who’s still inspired by the cutting edge at 72.
The Notwist, News From Planet Zombie
This folksy, brassy new iteration of the German trio excels at melodies that yearn and churn with melancholy—yet still manages something celebratory.
Timothy Brown
Sharon Van Etten / photo by Adrian Santos
The breakout indie rocker is ready for her closeup. Is 2019 her year? Spoiler alert: yes.
One year after the tragic passing of singer Dolores O’Riordan, The Cranberries are having a moment.
It’s called “Lux Prima,” and it comes out in March.
The 1982 hit serenades the Namibia desert courtesy of an ambitious art installation.
St. Vincent / photo by Daniel Cavazos
Annie Clark got her “Blood Sugar Sex Magik” on during a special benefit for victims of the deadly Woolsey Fire.
