Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Portrayal of Guilt, …Beginning of the End
The Austin trio pushes into new territories within the frameworks of hardcore and metal, inserting flourishes of trip-hop, nu metal, and even Memphis rap into their aggressive package.
VINSON, Raw Honey
The debut album from the Detroit-reared artist jumps from jazz to electronica to R&B while always maintaining a cohesive structure of easy Sunday-morning vibes.
Friko, Something Worth Waiting For
With their second album, the Chicago band sheds their tough noise-pop exterior to reveal a more delicate sound—and emotional truisms to match—as they grow more confident.
Timothy Brown
Sharon Van Etten / photo by Adrian Santos
The breakout indie rocker is ready for her closeup. Is 2019 her year? Spoiler alert: yes.
One year after the tragic passing of singer Dolores O’Riordan, The Cranberries are having a moment.
It’s called “Lux Prima,” and it comes out in March.
The 1982 hit serenades the Namibia desert courtesy of an ambitious art installation.
St. Vincent / photo by Daniel Cavazos
Annie Clark got her “Blood Sugar Sex Magik” on during a special benefit for victims of the deadly Woolsey Fire.
