Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Reviews
See All 
hemlocke springs, the apple tree under the sea
Naomi Udu’s debut album soundtracks her journey of self-discovery through her own version of heaven and hell in a glitch-pop take on Paradise Lost and Dante’s Inferno.
August Ponthier, Everywhere Isn’t Texas
The alt-country songwriter makes the most out of their first full album and its rush of ideas that bask in a sense of independence—both from a repressive upbringing and major-label backing.
Remember Sports, The Refrigerator
The Philly indie rockers take stock of everything on the shelves with a revitalized fifth LP that feels like a lifetime of growth reaching a critical mass.
Tom Morgan
Articles
See All 
Load More
Reviews
Anxious, “Bambi”
Calling back to the “big swing” pop-punk records from the turn of the millennium, the Connecticut band’s sophomore release is emotionally intelligent and impressively fine-tuned.
February 20, 2025
Reviews
Kele, “The Singing Winds Pt. 3”
Fusing together the stripped-bare ambient-pop and dancier art-pop of the trilogy’s previous titles, the Bloc Party vocalist’s latest project often feels both overstuffed and too restrained.
January 21, 2025
Reviews
Lambrini Girls, “Who Let the Dogs Out”
The UK duo hurls hand grenades in the direction of contemporary society’s myriad ills across their riotously fun yet deadly serious indie-punk debut.
January 09, 2025
Reviews
Fang Island, “Doesn’t Exist II: The Complete Recordings”
This new collected discography celebrating the upbeat, joy-emanating guitar-rockers polishes up their all-too-brief run while including a few new surprises. High-fives all around.
December 11, 2024
Reviews
Better Lovers, “Highly Irresponsible”
The breathless riffs, ferocious pace, and veteran sense of security that define this debut album from the metalcore supergroup feel like the work of a band desperate to escape their history.
October 23, 2024
In Conversation
Osees Discuss the Pared-Down Synth-Punk of “SORCS 80”
John Dwyer details the “tightened up and screwed down” sci-fi punk of his prolific band’s 29th full-length.
August 07, 2024
