With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Viagra Boys, viagr aboys
The Swedish post-punks’ fourth album combines half-assed humor with half-assed performances, filling in the void left by guitar-centric punk with demented synth tinkering.

Sunflower Bean, Mortal Primetime
The New York trio’s first self-produced album has a smooth, consistent, quietly confident sound quality that reflects the elegance that’s always been at their core.

BRUIT ≤, The Age of Ephemerality
The French post-rock band lyrically addresses the unthinkable progress and regression of our post-internet age via droning metal and modern-classical sound on their second LP.
Will Schube

Tyler’s always been an immensely talented producer and rapper, but he’s never put together an album as cohesively as he does here.

Shabazz Palaces
We speak with the Seattle legend to figure out how, exactly, he always stays one step ahead of the game.

A death-defying trip to Glacier National Park inspired the Austin band’s new record.

Ernest Greene is a new musician on “Mister Mellow,” and the results are often outstanding.

photo by Adarsha Benjamin
The well-traveled musician seeks a quiet place to reflect on his old life as a city dweller.

The British producer and sound collagist talks about opening himself to collaboration and simplifying his sound on his latest—and best—album, “Compassion.”

photo by Brad Bunyea
Ascending to heaven comes with a steep caveat.