With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Fuck Money, Fuck Money
Leading with distortion and chaos, the Austin group’s debut is a 22-minute cataclysm of hardcore punk and harsh noise that distills the anti-capitalist ethos of their moniker.

Dijon, Baby
On the follow-up to his 2021 debut, Dijon Duenas lays glitchy, psychedelic textures atop his familiar alt-R&B sound to evoke a fractured internet-like aesthetic that’s often mesmerizing.

Rich Brian, Where Is My Head?
The edgy but earnest Indonesian-American rapper further leans into his identity on his first album in six years, welcoming a variety of guests on his trek through self-actualization.
Will Schube

On their first record in five years, the venerable group starts small.

This is how most of “Popular Manipulations” works: starts modest, grows bolder, ends up on a mountaintop.

photo by Masayoshi Sukita
It took eleven years, but the Japanese songwriter has returned.

Tyler’s always been an immensely talented producer and rapper, but he’s never put together an album as cohesively as he does here.

Shabazz Palaces
We speak with the Seattle legend to figure out how, exactly, he always stays one step ahead of the game.

A death-defying trip to Glacier National Park inspired the Austin band’s new record.

Ernest Greene is a new musician on “Mister Mellow,” and the results are often outstanding.

photo by Adarsha Benjamin
The well-traveled musician seeks a quiet place to reflect on his old life as a city dweller.

The British producer and sound collagist talks about opening himself to collaboration and simplifying his sound on his latest—and best—album, “Compassion.”

photo by Brad Bunyea
Ascending to heaven comes with a steep caveat.