Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Reviews
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Charli XCX, Music, Fashion, Film
The pop star’s guitar-strewn reset is the stuff of savage, searing power-pop with primal, minimalist rhythms and a hint of sleek, sizzling electronics.
The Strokes, Reality Awaits
With their first album in six years, the influential garage rockers have defiantly moved on from slacker apathy in favor of a synthier era defined by an unexpected foray into the political.
Mojave 3, Mojave 3: 1995-2006
The Slowdive offshoot’s five melancholic LPs were remastered to more clearly express Rachel Goswell and Neil Halstead’s vision of hillbilly heartache and dustbowl romanticism.
Will Schube
Articles
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Reviews
Kamasi Washington, “Harmony of Difference” [EP]
From a quiet, smooth opening, Kamasi Washington’s new EP grows to enormous heights.
September 27, 2017
Reviews
Ben Frost, “The Centre Cannot Hold”
Frost’s music can be grating, obstructive, evil, sinister, and ugly. Yet there’s something both charming and beautiful in how he embraces these characteristics.
September 26, 2017
Reviews
Mount Kimbie, “Love What Survives”
Maker and Campos find a way to bring their collaborators toward their sound, not the other way around, and the results are outstanding.
September 14, 2017
Reviews
Action Bronson, “Blue Chips 7000”
Most of all, Bronson simply seems fully in control of the world he’s created on “Blue Chips 7000.”
September 05, 2017
Reviews
Grizzly Bear, “Painted Ruins”
On their first record in five years, the venerable group starts small.
August 25, 2017
Reviews
The Districts, “Popular Manipulations”
This is how most of “Popular Manipulations” works: starts modest, grows bolder, ends up on a mountaintop.
August 07, 2017
photo by Masayoshi Sukita
In Conversation
In Conversation: With “Mellow Waves,” Cornelius Crashes on American Shores Again
It took eleven years, but the Japanese songwriter has returned.
July 26, 2017
Reviews
Tyler, The Creator, “Flower Boy”
Tyler’s always been an immensely talented producer and rapper, but he’s never put together an album as cohesively as he does here.
July 26, 2017
Shabazz Palaces
Shabazz Palaces Is Ishmael Butler’s Path to Understanding
We speak with the Seattle legend to figure out how, exactly, he always stays one step ahead of the game.
July 24, 2017
PREMIERE: The Dan Ryan Aim for the Stars on “Guidance” LP
A death-defying trip to Glacier National Park inspired the Austin band’s new record.
July 11, 2017
Reviews
Washed Out, “Mister Mellow”
Ernest Greene is a new musician on “Mister Mellow,” and the results are often outstanding.
July 07, 2017
photo by Adarsha Benjamin
In Conversation
In Conversation: Kevin Morby Reflects on City Life and the Joys of Solitude
The well-traveled musician seeks a quiet place to reflect on his old life as a city dweller.
June 22, 2017
In Conversation
In Conversation: Forest Swords Finds the Barest Way to Beauty
The British producer and sound collagist talks about opening himself to collaboration and simplifying his sound on his latest—and best—album, “Compassion.”
June 01, 2017
photo by Brad Bunyea
PREMIERE: Jake Xerxes Fussell Flips Duke Ellington’s “Jump for Joy”
Ascending to heaven comes with a steep caveat.
March 09, 2017
