Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
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Courtney Barnett, Creature of Habit
Still flatliningly deadpan, the Australian songwriter uses the back-and-forth fear of the new as a start point for further depth-diving and confession on her fourth solo album.
The Twilight Sad, It’s the Long Goodbye
The sixth album from the Scottish proponents of existential angst is centered around the intertwining duality of death and life, fueled in turn by feelings of despair, disbelief, and defiance.
deary, Birding
Sounding like a band well into their second decade of existence, the London-based dream-pop trio stretch each song on their debut without ever letting them overstay their welcome.
Young Fenimore Lee
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Ethel Cain, “Willoughby Tucker, I’ll Always Love You”
The prequel to Preacher’s Daughter helps sprawl Hayden Silas Anhedönia’s narrative out even further while dialing up the intensity of her droning slowcore/shoegaze textures.
August 07, 2025
Reviews
Young Jesus, “Welcome to Conceptual Beach”
The group’s third effort for Saddle Creek is enticing, philosophical, and mysterious.
September 15, 2020
Stream Helvetia’s New LP “This Devastating Map” in Full
You can hear Jason Albertini’s second album of 2020 a day before it’s official release date.
August 06, 2020
