Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
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@, Autosmile
The experimental duo coil psychedelic-folk introspection around prog-rock guitar flourishes across the dramatically pivoting tracklist of their acoustically oriented debut for 4AD.
Rachel Chinouriri, I Think I Spoke Too Soon
On her second album, the English artist pivots to clubbier sounds that both satisfy and sting as she suppresses loneliness with a fake smile and a polished dance-pop sheen.
Fontaines D.C., Dopamine Chamber
Opting for a synthetic architecture over the driving guitar language of earlier records, the Dublin band shatters their sonic frontier to reveal a grim catechism for hyper-processed hedonism.
Young Fenimore Lee
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Reviews
Ethel Cain, “Willoughby Tucker, I’ll Always Love You”
The prequel to Preacher’s Daughter helps sprawl Hayden Silas Anhedönia’s narrative out even further while dialing up the intensity of her droning slowcore/shoegaze textures.
August 07, 2025
Reviews
Young Jesus, “Welcome to Conceptual Beach”
The group’s third effort for Saddle Creek is enticing, philosophical, and mysterious.
September 15, 2020
Stream Helvetia’s New LP “This Devastating Map” in Full
You can hear Jason Albertini’s second album of 2020 a day before it’s official release date.
August 06, 2020
