FLOOD

On his eighth album, Roberto Carlos Lange reaches deeper within the self while tying the project further to electronic music as he manipulates it to suit the emotional lyrical output.

The alt-R&B innovator discusses his way with sensual, emotional songwriting ahead of the release of his third LP.

Documenting a pair of 1985 London shows, this long-bootlegged double-LP offers an early look at the playfulness and boundary-testing the no wave icons would soon perfect on EVOL.

Celebrating 50 years with a bonus rough mix of the LP, McCartney’s third album with his post-Beatles band captures a man looking to outpace his immediate past while borrowing from its glories.

Released posthumously with the production assistance of Tricky, the producer-toaster’s final statement is a collection of seamless collaborations and chic synthwave.

With her 2001 disco single going viral after soundtracking the bold finale to Saltburn, the songwriter explains how this newfound attention precedes a return to a love of dance music.

Backed with liner notes from Tim Kinsella, this career-spanning comp unites the project’s three studio albums of ragingly ornamented and searingly rarified post-punk with previously unissued tracks.

The member of the terminally cheerful Kids in the Hall comedy troupe talks venting his frustrations with Amazon’s censorship of the series’ revival with a new solo comedy show.

The Wire frontman’s 1997 turn toward drum ’n’ bass, techno, house, and industrial music is guided by the goal of atmospheric mood-shifting and a love story just beginning to build.

Balancing his Entergalactic OST’s wobbly clouds of synth with the banger hooks he’s known for, Cudi’s lengthy ninth LP has too many guests sounding as if they’re squeezing to get in.

The second installment in Light in the Attic’s archive series on Reed spotlights his devotional ambient-drone LP—the pensive yin to its infamous successor’s metallic yang.

Our roundup of the anniversary releases, box sets, and other collections that stood out last year.

The debut collaboration between the Buffalo emcee and the German trap producer is a darkly clouded, overstuffed release that eats like a huge holiday meal after a maudlin family funeral.

In collecting 57 solo and duo efforts into one (not really) cohesive whole, a multi-hued portrait of the Mars Volta/At the Drive-In cofounder as an enigmatic genius emerges.

With contributions from Iggy Pop, Cat Power, Lydia Lunch, Peaches, Shirley Manson, and more, the covers collection aims to benefit its subject as she recovers from long COVID.

With friends of the Moldy Peaches co-founder reverently recreating his solo hits, this new compilation occasionally makes us more interested in what some of his peers have been up to.

The broadly poetic tales of ordinary madness on the Genesis co-founder’s first LP of new original material in over two decades are often spare and daringly melodic.

Remembering the Pogues frontman upon his passing at the age of 65.

The multimedia installation artist discusses his work for the new group show Smoke and Mirrors: Magical Thinking in Contemporary Art taking place at Florida’s Boca Raton Museum of Art through May 12.

With a crisper mix and an expanded tracklist, these live recordings that were once overwrought and overly complex become more bearable—and occasionally effortlessly beautiful.