FLOOD

Will Brooks—a.k.a. MC Dälek—talks the past and future of his longstanding rap project and the shadow and shade of their latest LP.

The legendary keyboardist, composer, and collaborator to Gil Scott-Heron strikes out on his own for the first time in a minute.

This essential reissue ties together most of what the group recorded in studio and demo sessions after the “Radio Clash” 12-inch—plus their collaboration with late toaster Ranking Roger on a separate EP.

On his latest solo venture, Styles smooths out the influences so prevalent on Fine Line in order to make a brassy and clingingly contagious new album.

Roxy Music’s lounge-lizard crooner interprets a handful of classic pop songs across the decades without concern for genre or an era’s agenda.

These two live collections are exceptional examples of the Stones at their grungy, brassy, ballsy finest—and sharp, sad reminders of what it truly means to have lost drummer Charlie Watts.

The full-bodied anniversary collection paints a wilder portrait of Jones’ debut, displaying a surprising angularity and nervous energy.

Over 20 years since their sole album together, the latest from Yasiin Bey and Talib Kweli never reaches the skies of their debut, or the full flower of the talents of anyone involved.

The New Zealand–born filmmaker’s new concert film hits theaters tomorrow.

In the final quarter of the first season of HBO’s sporting dramedy, we look at one of its central players.

These three all-rarities packages from the Birmingham sonic-collage duo create a cinematic experience from refurbished unused material.

25 titles to keep an eye out for at your local indie record shop this Saturday.

Compiling and curating rarities, and putting them next to newly remastered, raw-knuckled classics, this box set takes the form of something frank and fresh rather than merely ruminative. 

The “outlaw cowboy” brings to his game the opulence of a big label with an explosive, evocative production tone crossing Spaghetti Western plains and a mountain range’s open skies.

In contrast with his most incisive work with The White Stripes and The Raconteurs, the first of White’s two planned solo albums in 2022 feels based on the ideas of a man who’s lost without equity and union.

Josh Tillman’s latest release is a record so layered, lush, calming, and dulcet that you hardly notice its frequent aimlessness.

Hunter and his Six are unafraid of dashing their smooth soul with the good grit of the blues and a live-in-studio recording vibe.

This collection of previously unreleased Fillmore East showcases and bonus tracks is the wired, weird epic you didn’t know you needed.

This collection of instrumental-only recordings from the band’s final decade together sounds freer than anything in their avant-punk and post-no-wave past.

The job of this freshly remodeled package is to heighten the stellar, grungy-but-clean studio mix given to the original sessions by Tony Clark and Alan Parsons.