FLOOD

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A.D. Amorosi
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Reviews
Miley Cyrus, “Endless Summer Vacation”

Dedicated to her gauzy Los Angeles’s sunny days and noir-ish nights, Miley’s eighth LP is her most consistent, evenly handed record to date.

March 10, 2023
Reviews
Burt Bacharach & Elvis Costello, “The Songs of Bacharach & Costello”

In addition to live recordings and rarities, this two-vinyl, four-CD package features a remastered version of the pair’s 1998 collaboration Painted by Memory that will break your heart with each spin.

March 06, 2023
First Listen
Money Mark Turns Imaad Wasif’s “So Long Mr. Fear” on Its Head with New Remix

Retitled “Mr. Fear, So Long,” the collaborative rework reanimates the single with “alien funk.”

March 06, 2023
In Conversation
A Tale of Ten City: Marshall Jefferson and Byron Stingily on the Past and Present of “Love Is Love”

The iconic Chicago house duo discuss their trajectory from their early major-label releases in the late-’80s to the two records they’ve crafted since reforming in 2021.

March 03, 2023
Reviews
John Fizer, “Treasure Man”

The Berkeley troubadour’s once-lost 1977 solo disc is full of weary songs both beautifully plainspoken and warmly character-driven.

February 27, 2023
Reviews
Gorillaz, “Cracker Island”

Damon Albarn dampens some of the project’s kinkier oddities in favor of symmetry and sleekness on his latest star-studded recording.

February 24, 2023

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Milan Records Is Continuing to Shape Itself Around Ryuichi Sakamoto

Label head JC Chamboredon discusses the profound impact the composer and electronic music legend has had on the label his father founded in 1978.

February 24, 2023
New Vinyl Ideas: Numero Group on 20 Years of Giving Us the Unexpected

The archival label’s founders discuss the long road to this weekend’s anniversary festivities in LA, with Codeine, Unwound, Karate, and more set to take the stage at the Palace Theater.

February 16, 2023
Reviews
The Go! Team, “Get Up Sequences Part 2”

The loud, bass-bin rattles of the sequel to their 2021 LP sound like a party among old friends and new, mixing cutting-edge noise-rock R&B with old-school shoegaze and synth pop.

February 15, 2023
Reviews
Bob Dylan, “The Bootleg Series Vol. 17: Fragments – Time Out of Mind Sessions: 1996-1997”

On the series’ 17th installment, listeners are transported to the sound of desire, a Dylan reconnecting and reconnoitering with a curt and surly muse.

January 31, 2023
Reviews
Bass Drum of Death, “Say I Won’t”

The Mississippi garage rockers move past lo-fi toward a more soulful and power-chord heavy sound on their Patrick Carney–produced fifth album.

January 30, 2023
Reviews
Lil Yachty, “Let’s Start Here.”

The Atlanta rapper has taken up the mantle of prog-psychedelic, live-band hip-hop, and the results are as outwardly wily and avant-garde as they are insular and introspective.

January 27, 2023
Reviews
MIKE, “Beware of the Monkey”

Like a short story writer moving into the novel’s narrative form, the East Coast rapper has figured out how to expand his dreamy sensibilities without losing his intimate sleepy qualities.

January 24, 2023
Reviews
Måneskin, “Rush!”

The Italian rockers’ third effort is the slick, chic, and over-stuffed meal in which to portray their fullest flavors.

January 23, 2023
Reviews
†††, “PERMANENT.RADIANT”

The first EP from Deftones’ Chino Moreno and Far’s Shaun Lopez in nearly a decade never ceases to thrill, even in its quietest measures.

January 20, 2023
Reviews
Man or Astro-Man?, “Distant Pulsar”

On their second bite-size studio release since 2013, the space-age surf punks are angrier and more propulsive-sounding than in their past, and with that, more bluntly direct in their execution.

January 19, 2023
Reviews
Cheap Trick, “Live at the Whisky 1977”

This live box set showcases newly made medleys that result in razor-sharp glam-rock cuts with complex melodic curveballs, crushing metal-pop guitar work, and the chemistry of a close-knit, veteran bar band.

January 10, 2023
Art & CultureIn Conversation
Kid Congo Powers Tells His Truth in New Memoir “Some New Kind of Kick”

The guitarist/vocalist with two new albums examines his time with Nick Cave’s Bad Seeds, The Gun Club, and The Cramps.

January 09, 2023
Staff Picks
The Best Reissues of 2022

20 collections that defy the streaming age.

December 29, 2022
Film + TVReviews
Todd Haynes’ “The Velvet Underground” Is a Love Letter to a Scene, Not Just a Sound

Padded with interviews and commentary, the real draw of Criterion’s 4K digital master is the inclusion of full versions of the avant-garde films excerpted in the doc.

December 19, 2022
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