Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Depeche Mode, Memento Mori: Mexico City
The live album tied to the new-wave icons’ new concert film shows how a lifelong band persists through loss while maturing their dusky music and a deep connection to their audience.
Prince & The Revolution, Around the World in a Day [40th Anniversary Edition]
Besides its crystal-clear sound, the draw for this expanded singles collection is its curios such as the 22-minute “America” and Prince’s serpentine contribution to the We Are the World album.
La Luz, Extra! Extra!
Reworking tracks from 2024’s News of the Universe LP, Shana Cleveland emphasizes themes of change, non-determinism, and acceptance on an EP that aptly feels a little lonely.
A.D. Amorosi
The Long Island–based trio’s Möbius-stripped voices in tandem with Prince Paul’s seamless sampling are what make their 1989 debut one of hip-hop’s foremost GOAT contenders.
Dedicated to her gauzy Los Angeles’s sunny days and noir-ish nights, Miley’s eighth LP is her most consistent, evenly handed record to date.
In addition to live recordings and rarities, this two-vinyl, four-CD package features a remastered version of the pair’s 1998 collaboration Painted by Memory that will break your heart with each spin.
Retitled “Mr. Fear, So Long,” the collaborative rework reanimates the single with “alien funk.”
The iconic Chicago house duo discuss their trajectory from their early major-label releases in the late-’80s to the two records they’ve crafted since reforming in 2021.
The Berkeley troubadour’s once-lost 1977 solo disc is full of weary songs both beautifully plainspoken and warmly character-driven.
Damon Albarn dampens some of the project’s kinkier oddities in favor of symmetry and sleekness on his latest star-studded recording.
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Label head JC Chamboredon discusses the profound impact the composer and electronic music legend has had on the label his father founded in 1978.
The archival label’s founders discuss the long road to this weekend’s anniversary festivities in LA, with Codeine, Unwound, Karate, and more set to take the stage at the Palace Theater.
The loud, bass-bin rattles of the sequel to their 2021 LP sound like a party among old friends and new, mixing cutting-edge noise-rock R&B with old-school shoegaze and synth pop.
On the series’ 17th installment, listeners are transported to the sound of desire, a Dylan reconnecting and reconnoitering with a curt and surly muse.
The Mississippi garage rockers move past lo-fi toward a more soulful and power-chord heavy sound on their Patrick Carney–produced fifth album.
The Atlanta rapper has taken up the mantle of prog-psychedelic, live-band hip-hop, and the results are as outwardly wily and avant-garde as they are insular and introspective.
Like a short story writer moving into the novel’s narrative form, the East Coast rapper has figured out how to expand his dreamy sensibilities without losing his intimate sleepy qualities.
The Italian rockers’ third effort is the slick, chic, and over-stuffed meal in which to portray their fullest flavors.
The first EP from Deftones’ Chino Moreno and Far’s Shaun Lopez in nearly a decade never ceases to thrill, even in its quietest measures.
On their second bite-size studio release since 2013, the space-age surf punks are angrier and more propulsive-sounding than in their past, and with that, more bluntly direct in their execution.
This live box set showcases newly made medleys that result in razor-sharp glam-rock cuts with complex melodic curveballs, crushing metal-pop guitar work, and the chemistry of a close-knit, veteran bar band.
The guitarist/vocalist with two new albums examines his time with Nick Cave’s Bad Seeds, The Gun Club, and The Cramps.
20 collections that defy the streaming age.
