With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Gloin, All of your anger is actually shame (and I bet that makes you angry)
On their second album, the Toronto band taps into the fury of their post-punk forebears with a polished set of psychological insights that feel angry in all the right ways.

Great Grandpa, Patience, Moonbeam
An experiment in more collaborative songwriting, the band’s highly ambitious first album in over five years truly shines when all of its layered ideas are given proper room to breathe.

Bryan Ferry & Amelia Barratt, Loose Talk
This ghostly collaborative album with spoken-word artist Barratt finds the Roxy Music leader digging his own crates for old demos and warped melodies that went unused until now.
Adam Valeiras

Is the acquisition of an iconic Hollywood theater by a streaming giant another sign of the demise of cinema, or the new status quo?

In the wake of a frustrating unplugged set, rock’s leading party philosopher addresses failure, his first record in nine years, and—of course—the parameters of the party mindset.

2016. Muuy Biien at Stopover. photo by Michael Morales
…and four that thankfully didn’t.

Like previous Real Estate records, “In Mind” washes over the listener, pleasantly blending into the background.

2016. Capsula at Stopover. photo by Adam Valeiras
Featuring a massive billing of developing names in humble venues, the Georgia festival presented a low-key option for those looking for an alternative to SXSW—or a pit stop for those on their way to it.

Car Seat Headrest / photo by Michael Morales
Up-and-coming Matador signee Will Toledo and his band go cruising through the ATL.

2015. Protomartyr The Agent Intellect cover hi res
Protomartyr’s third album, “The Agent Intellect,” does a superb job evoking its title, the origin of which stems from a classical and medieval philosophy regarding the concept of active reasoning—it’s the conscious mental action of converting potential or passive thought into something human.

2015. Here We Go Magic Be Small cover hi res
What stings about “Be Small,” though, is that its incredibly catchy and glossy sound suggests an emotional quality that the album at times lacks.

One of the best lineups of the season came together last week in Atlanta.

2015. Passion Pit, “Kindred”
With “Kindred,” Michael Angelakos has crafted ten sun-splashed songs just in time for summer, but he’s lost some of Passion Pit’s musicality along the way.

2015. Shlohmo, “Dark Red”
Henry Laufer—a.k.a. Shlohmo—has crafted a somewhat pessimistic image for himself through his lyricless (and often reclusive and angsty) production.

2015. Vetiver, “Complete Strangers”
Since the early 2000s, Vetiver has existed more as a moniker for songwriter Andy Cabic than an established Bay Area band.

2015. Twin Shadow, “Eclipse” art
With this latest full-length, Lewis attempts to create an album more confessional than “Confess,” “Eclipse”’s immediate predecessor.

2015. Beech Creeps, “Beech Creeps” album art
“Beech Creeps” plays like a live album in both production and structure, as if the songs were loosely composed and then spontaneously expounded upon within the studio.

2014. Merchandise, “After The End” album art.
On After the End, the songs are more concise and grounded in form, but beyond that, the band’s working punk formula doesn’t seem far altered.