With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
The Cure, Songs of a Lost World
The lyrical doom and gloom that matches the music’s slowed, metallic, ethereal ambience on the band’s first record in 16 years focuses very pointedly on true death.
Planes Mistaken for Stars, Do You Still Love Me?
The Colorado heavy rockers’ fifth and final record exhibits their broadest sense of appeal, ranging from aggressive noise rock to catchy post-hardcore hooks.
Leaving Time, Angel in the Sand
At various turns haunting, alluring, catchy, and confident, the Jacksonville shoegazers’ well-considered debut introduces the band with aplomb.
Alejandra Gomez
Kim Gordon was a Girl in a Band, and now she has a book telling us about what that was like. Her…
Even after three years, it’s easy to identify the opening melody of M83’s “Midnight City”—or at least get an “oh, hey,…
As the follow-up to SBTRKT’s 2011 self-titled debut, “Wonder Where We Land” serves to take the listener beyond the soulful textures previously heard from the electronica moniker of Aaron Jerome.
There’s a confident energy that surrounds Taiga. Haunting and chilling from the start, Nika Danilova (a.k.a. Zola Jesus) emerges from the echoes of the album’s opening song with a powerful and booming voice.
If you ever wondered what the world of espionage in the UK—beyond one agent named Bond—might look like, then you should take…
With Everything Will Be Alright in the End, Weezer has brought back something that’s been missing from their discography for a long time: a solid collection of songs.
The Canadian duo known for their soundscaping electronic single from “Drive,” talk their stunning debut, “Innerworld”—four years in the making.
With the beach, the desert, and endless supply of sunshine surrounding Los Angeles—the city that Allah-Las happen to call home—it makes sense that these scenic vibes run through the band’s second album Worship the Sun.
With Swimmin’ Time, the couple creates a diverse range of characters, each exploring the depth of their literal and metaphorical waters.
When observing Kimbra’s intense fashion sense, it’s easy to see her appreciation for elaborate and over-the-top art.
Passerby is an album rooted in time and patience. Since their 2008 debut Dear Hamlyn, Zoë Randell and Steve Hassett have taken the beauty and intimacy of their sound, nurtured it, and allowed it to grow.
The sonic landscapes are more lush and ambient than on their debut; Model of You feels more cohesive, the songs complementing each other while still offering something new.
A sophomore album is always a defining moment in the life of a band. Your pent-up debut energy is gone…