With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
12
The Los Angeles Issue
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Reviews
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Frank Black, Teenager of the Year [30th Anniversary Edition]
Bolder, weirder, and less Pixies-like than his solo debut, this vast collection of contagious pop vibes and oddball character studies remains Black Francis’ finest musical moment on his own.
Iggy Pop, Live at Montreux Jazz Festival 2023
Recorded at the Swiss fest’s Stravinsky Hall with a seven-piece ensemble, the punk icon crams his deeply expansive catalog into one loud bomb-drop.
Kele, The Singing Winds Pt. 3
Fusing together the stripped-bare ambient-pop and dancier art-pop of the trilogy’s previous titles, the Bloc Party vocalist’s latest project often feels both overstuffed and too restrained.
Austin Brown
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Amen Dunes Is at Your Service
After purging something dark, Damon McMahon came back with something light—”Freedom,” an album meant to pull you up, in one way or another.
May 09, 2018
Reviews
Caroline Says, “No Fool Like An Old Fool”
Caroline Sallee’s group sets itself apart with a generous helping of smeared dream pop and Lynchian, dissonant Laurel Canyon motifs.
April 02, 2018
Revisiting the “Vampire Weekend” Story, Ten Years On
When Vampire Weekend arrived with a highly divisive debut a decade ago, the “preppy Columbia band does world music” narrative was set. But it wasn’t all that correct.
January 30, 2018
