With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
12
The Los Angeles Issue
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Reviews
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Big Thief, Double Infinity
Ditching the homespun folk-rock sound of their last record for otherworldly, jazz-infused transmissions, the group’s sixth LP is obsessed with the beauty and inefficiency of language.
David Byrne, Who Is the Sky?
With the aid of Ghost Train Orchestra and Kid Harpoon, Byrne continues his trek across urban prairies to explore our goofball commonalities, the quirks of romance, and his own intimacies.
Fleshwater, 2000: In Search of the Endless Sky
The Massachusetts grungegazers settle on their sound with their second LP: a balancing of frantic energy with moody heaviness and an overall tone of passionately charged emo splendor.
Austin Brown
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Amen Dunes Is at Your Service
After purging something dark, Damon McMahon came back with something light—”Freedom,” an album meant to pull you up, in one way or another.
May 09, 2018
Reviews
Caroline Says, “No Fool Like An Old Fool”
Caroline Sallee’s group sets itself apart with a generous helping of smeared dream pop and Lynchian, dissonant Laurel Canyon motifs.
April 02, 2018
Revisiting the “Vampire Weekend” Story, Ten Years On
When Vampire Weekend arrived with a highly divisive debut a decade ago, the “preppy Columbia band does world music” narrative was set. But it wasn’t all that correct.
January 30, 2018
