Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Reviews
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Telehealth, Green World Image
The Seattle band mashes up Millennial malaise with ’80s synthpunk and biting satire on a playful second LP that crowds out the more emotional elements with terminally online irony.
Nara’s Room, Tearless, thoughtless
The Brooklyn band bring more dimension to their sound on a magnetic second record that’s framed by a mix of analog technology and Y2K aesthetics.
Winston Hightower, 100 Acre Wood
The 14 songs featured on the Columbus native’s second album may be as short as the ones on its lo-fi predecessor, but they’re far more fleshed out with catchier and on-point rock music.
Austin Brown
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Amen Dunes Is at Your Service
After purging something dark, Damon McMahon came back with something light—”Freedom,” an album meant to pull you up, in one way or another.
May 09, 2018
Reviews
Caroline Says, “No Fool Like An Old Fool”
Caroline Sallee’s group sets itself apart with a generous helping of smeared dream pop and Lynchian, dissonant Laurel Canyon motifs.
April 02, 2018
Revisiting the “Vampire Weekend” Story, Ten Years On
When Vampire Weekend arrived with a highly divisive debut a decade ago, the “preppy Columbia band does world music” narrative was set. But it wasn’t all that correct.
January 30, 2018
