Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Bedouine, Neon Skin Summer
Flowing out of a period of stillness, Azniv Korkejian’s fourth LP dusts up a world of childhood innocence as it diverges from the folk-pop tradition—and her own catalog—of lovelorn intensity.
Kurt Vile, Philadelphia’s Been Good to Me
The slacker-folk songwriter’s latest is an uncharacteristically fuzzy ode to his hometown that feels like a late-night hang surrounded by the ghosts of his various musical heroes.
Elder, Through Zero
With their seventh LP, the heavy psych-rockers demonstrate what experimental majesty a band can create when they’ve spent two decades working to play together on the same wavelength.
Austin Brown
After purging something dark, Damon McMahon came back with something light—”Freedom,” an album meant to pull you up, in one way or another.
Caroline Sallee’s group sets itself apart with a generous helping of smeared dream pop and Lynchian, dissonant Laurel Canyon motifs.
When Vampire Weekend arrived with a highly divisive debut a decade ago, the “preppy Columbia band does world music” narrative was set. But it wasn’t all that correct.
