With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
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The Los Angeles Issue
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Reviews
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Bob Dylan, The Bootleg Series Vol. 17: Fragments – Time Out of Mind Sessions: 1996-1997
On the series’ 17th installment, listeners are transported to the sound of desire, a Dylan reconnecting and reconnoitering with a curt and surly muse.
Bass Drum of Death, Say I Won’t
The Mississippi garage rockers move past lo-fi toward a more soulful and power-chord heavy sound on their Patrick Carney–produced fifth album.
Lil Yachty, Let’s Start Here.
The Atlanta rapper has taken up the mantle of prog-psychedelic, live-band hip-hop, and the results are as outwardly wily and avant-garde as they are insular and introspective.
Austin Brown
Articles
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Amen Dunes Is at Your Service
After purging something dark, Damon McMahon came back with something light—”Freedom,” an album meant to pull you up, in one way or another.
May 09, 2018
Reviews
Caroline Says, “No Fool Like An Old Fool”
Caroline Sallee’s group sets itself apart with a generous helping of smeared dream pop and Lynchian, dissonant Laurel Canyon motifs.
April 02, 2018
Revisiting the “Vampire Weekend” Story, Ten Years On
When Vampire Weekend arrived with a highly divisive debut a decade ago, the “preppy Columbia band does world music” narrative was set. But it wasn’t all that correct.
January 30, 2018
