Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Various artists, Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers
These unheard tracks from Dirty Projectors, Daniel Lopatin, and more are hushed and raw, all crafted with the idea of evoking a sense of home to highlight those whose own are at risk.
HEALTH, Conflict DLC
The noise-rockers’ sixth LP is a full-on rush of nihilistic energy, a shattered disco ball serving as the perfect encapsulation of a world decimated by capitalistic greed at the expense of humanity.
Fucked Up, Year of the Goat
Made up of two nearly half-hour tracks, the hardcore experimentalists’ latest is artistically commendable and consistently intriguing, even if it tends to test the listener’s patience.
Carrie Courogen
The songwriter discusses the importance of sharing women’s stories and how her first album in over a decade grew from the soil of her 1993 debut.
The Japanese director talks about his English (and French) language debut.
Based on a true story written by Shia LaBeouf while in rehab, the film was both triggering and cathartic for the creative team.
The actor’s fourth book of photography takes the viewer on a road trip through middle America.
The indie King of Slack just released an electronic album, but assures us he’s still the same person.
The Japanese band is rocketing into the West with a full-blown stylistic vision firmly in place. And that vision doesn’t include any preconceived notions of what it means to be “cute.”
The group’s debut—and the riot grrrl movement at large—feels more vital than ever.
Lindsey Jordan’s first full-length has no shortage of adolescent angst—she’s only nineteen, after all—but the indie rock prodigy is maturing fast.
