With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Tsunami, Loud Is As
This five-LP set spotlights how singular the slacker-rockers were as songwriters and offbeat vocal harmonists while putting their out-of-print catalog back into the world where it belongs.
Fazerdaze, Soft Power
Dream-pop songwriter Amelia Murray returns seven years after her debut with a newfound confidence and a conscious effort to loudly reclaim her best years.
Venus Twins, /\/\/\/\/
Juxtaposing a love of sewing with 13 minutes of whiplash-inducing, eardrum-destroying atonal assaults, the Brooklyn duo’s latest EP is yet another confounding product of twin telepathy.
Dean Brandt
Eric Biddines controls his flow over Paul White’s weirdo assemblage.
Justin Wilcox and Jeffrey Silverstein’s guitars gently weep.
The Texan is back with more woozy cosmic country from the edges.
It’s the North American premiere of the “Everything is Forgotten” clip.
New-wave thrash from Chicago.
From the forthcoming “Cold Spring.”
From last year’s “Pennied Days.”
“Miss Taken” is out June 30 via Castle Face.
A virtuosic performance from Mary Beth Richardson.
The young Portland punk has more styles than Harry.
“A Hard Rain’s A-Gonna Fall” is not a chip flavor. “A Hard Rain’s A-Gonna Falafel” almost is.
The Chicago rapper’s “The Boy Who Spoke to the Wind” is out June 23 via Mello Music Group.
The Suicide instrumentalist releases his ninth solo LP, “Demolition 9,” on Friday.
“Rough Roads” is out now via Voodoo Doughnut Recordings.
Amateurs, GTFO.
Dark times call for dark music.
A long, long way from New York, Greta Kline and David Maine joined us for an acoustic version of the “Next Thing” track.
“Officer, I promise, it’s only milk.”
Brooklyn’s best new punks show their softer side.
From March’s “Bad Posture.”