Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Harry Styles, Kiss All the Time. Disco, Occasionally.
The sequel to the 2022 Album of the Year GRAMMY winner is another radical genre shape-shift for a pop star who refuses to settle for just another EDM album.
Scout Gillett, Tough Touch
Expanding her palette with grungy new influences, the LA-via-Kansas-City songwriter’s second album is often higher-octane while retaining her debut’s emotional core.
Mirah, Dedication
Gently playful with a fire burning underneath, the artist’s first record in seven years signifies her devotion to the craft of making music, whether the light in her career is burning bright or dim.
Dean Brandt
The former Shudder to Think vocalist serves up a rework of a track originally written with the late grunge icon in mind.
Recorded alone in a St. Louis studio, the songwriter’s debut LP introduces a unique new voice to the indie folk scene.
Kicking off a new season of the festival video series, the hardcore punks raze the Pickathon Slab in under two minutes.
Josh Benus introduces his new indie pop project with the assistance of Liz Cooper.
“Composure” is out now via Fearless Records.
Canterbury’s new contribution to the Atlantic Records roster overcomes the odds to serve up a pair of hard-hitting singles.
The So So Glos vocalist celebrates the good in spite of the overwhelming bad in the first video from his recent solo debut.
The young West Coast rockers embrace the season with a festive new single.
The Lost Boy ? leader introduces his forthcoming Paranoid Fiction with a ripper.
The rootsy pop duo bring their recent single to life in a very Nashville way.
The Canadian Americana songwriter announces his eighth album, Finally Free, and an extensive North American tour along with the foliage-filled video.
The first cut from the Athens, Georgia, songwriter’s debut solo record will take you to Appalachia and beyond.
The Bay Area shoegaze group offer up an early listen of their fifth studio album—their first in eight years.
The summer single gets a video treatment true to the song’s ironic tranquility.
Nashville’s sludgiest jam band carry over their genre-blending brilliance to video for their latest single, announce US and world tour dates.
The SF emcee enlists fellow underground all-stars on the second single from his forthcoming album.
The synth-pop duo reworks their 2008 single for its first official digital release.
Dickey wrote the track himself specifically for the Ethan Hawke–directed film about the life and times of Blaze Foley, which is getting a soundtrack release via Light in the Attic.
The latest track from Justin Sullivan’s debut heads back into the woods.
Dead Hearts Club remember those they’ve lost once upon a time in the deserted west.
