With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

FKA twigs, Eusexua
The visionary artist’s third album embraces rave culture for all of its angels and demons, though the ego-defying journey may be riddled with moments of internal conflict that rupture its matrix.

The Pains of Being Pure at Heart, Perfect Right Now: A Slumberland Collection 2008-2010
Ahead of their reunion tour, the cult indie-pop band resurrects lost classics from the bittersweet era of nostalgia that encircled their eponymous 2009 debut.

Paul Robeson, Voice of Freedom: His Complete Columbia, RCA, HMV and Victor Recordings
This 14-CD collection remastering the legendary bass-baritone vocalist, stentorian actor, and civil rights advocate’s work is a crucial cultural tome of both spiritual and earthly sensuality.
Dustin Krcatovich

Allison Crutchfield, Kyle Gilbride, and Jeff Bolt were just getting started when Swearin’ first called it quits. But then they said fuck all that and made something new.

From his work in his local hardcore scene to his gentler solo efforts, the West Bay riffer continues to do things his own way.

One of the world’s preeminent record collectors talks shop on the occasion of his new comp for Mexican Summer/Anthology, “Feel the Music Vol. 1.”

Before peeling off to Joshua Tree to play at Desert Daze, Pedrum Siadatian talks the art of making covers.

The architect of modernist music and his classically trained son take their playful improvisation to Joshua Tree.

Eduardo Williams’s latest film reads like Linklater’s “Slacker” for the global post-Internet age.

Trending up: huskies. Trending down: bull terriers.