Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
The Rolling Stones, Foreign Tongues
The Stones come as close as they ever will to reckoning with their twilight years on a surprisingly effective 25th LP that finds them bringing a fresh spark to their signature sound.
Mary in the Junkyard, Role Model Hermit
The London art-rock trio’s Robert Eggers–like debut clings to the lattice of maritime folklore while examining the often-felt pendulum between craving isolation and intimacy.
Kelela, New Avatar
The songwriter’s earliest soul and jazz influences can be found swirling throughout her third album, which also expands into the realms of hypnotic electronic music and alt rock.
Greg Cwik
More scandalous than a flushing toilet, Richard Franklin’s intelligently written 1983 sequel to the Hitchcock horror classic never succumbs to the clichés its forebear established.
Eulogizing Bill Hader’s black comedy series, one of the most achingly human shows of the post-Sopranos era.
Despite the occasional flash of creativity, the latest installment in the Evil Dead franchise is a drab and self-serious outlier within Sam Raimi and Bruce Campbell’s eccentric series.
The character actor with memorable roles in Saving Private Ryan, Natural Born Killers, and Heat passed away last week at 61.
Darren Aronofsky’s often-unpleasant adaptation of Samuel D. Hunter’s play is buoyed only by a beautifully empathetic performance by Brendan Fraser.
