Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
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Gorillaz, The Mountain
Damon Albarn and Jamie Hewlett’s guest-packed ninth album is a different kind of Gorillaz record—frequently interior, occasionally existential, surprisingly heartfelt.
GENA, The Pleasure Is Yours
Karriem Riggins and Liv.e’s collaborative debut beautifully plays to both of their strengths, resulting in a colorful and delightfully laid-back collection of neo-soul and jazz-rap.
Iron & Wine, Hen’s Teeth
A heavier fraternal twin to 2024’s Light Verse, Sam Beam’s unlikely eighth album hums through the speakers like a quiet, sudden revelation.
Ian Thomas
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Reviews
The Love-Birds, “In the Lover’s Corner”
Powered by catchy melodies, memorable hooks, and shimmering harmonies.
June 01, 2018
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Iceage, “Beyondless”
“Beyondless” dwells in the moments when attraction and repulsion are equally felt.
May 18, 2018
Film + TV
Inside the Hodgepodge Creations of Everything Is Terrible!
Joining the cult of the video collective, which mines thrift stores, swap meets, and other troves of obsolete media in search of the rare, obscure, and weird.
May 10, 2018
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DRINKS, “Hippo Lite”
Cate Le Bon and Tim Presley make much with little.
April 26, 2018
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Tracey Thorn, “Record”
On “Record,” Tracey Thorn exudes confidence in every utterance, and that self-assurance is bolstered by the brevity of the songs.
March 12, 2018
