With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
12
The Los Angeles Issue
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Sunflower Bean, Mortal Primetime
The New York trio’s first self-produced album has a smooth, consistent, quietly confident sound quality that reflects the elegance that’s always been at their core.
BRUIT ≤, The Age of Ephemerality
The French post-rock band lyrically addresses the unthinkable progress and regression of our post-internet age via droning metal and modern-classical sound on their second LP.
Fly Anakin, (The) Forever Dream
The Virginia rapper’s guest-filled latest is a stellar collection of bright, diverse, and downright gorgeous hip-hop that’s so light-on-its-feet it can sometimes feel like it’s sweeping you off yours.
Ian Thomas
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Reviews
The Love-Birds, “In the Lover’s Corner”
Powered by catchy melodies, memorable hooks, and shimmering harmonies.
June 01, 2018
Reviews
Iceage, “Beyondless”
“Beyondless” dwells in the moments when attraction and repulsion are equally felt.
May 18, 2018
Film + TV
Inside the Hodgepodge Creations of Everything Is Terrible!
Joining the cult of the video collective, which mines thrift stores, swap meets, and other troves of obsolete media in search of the rare, obscure, and weird.
May 10, 2018
Reviews
DRINKS, “Hippo Lite”
Cate Le Bon and Tim Presley make much with little.
April 26, 2018
Reviews
Tracey Thorn, “Record”
On “Record,” Tracey Thorn exudes confidence in every utterance, and that self-assurance is bolstered by the brevity of the songs.
March 12, 2018
