With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

King Gizzard & the Lizard Wizard, Phantom Island
The Australian band’s growing comfort performing with orchestra musicians results in a bolder, brighter, more engaging, and more direct album than its predecessor.

Murder by Death, Egg & Dart
Each song on the Louisville-based gothic-Americana band’s final album is its own requiem, a tender farewell accepting of its fate.

The Bug Club, Very Human Features
Another collection of relentlessly charming and eccentric garage rock, this fifth album doubles down on the Welsh band’s signature stylized-raw production and unusual lyrics.
Ian Thomas

Powered by catchy melodies, memorable hooks, and shimmering harmonies.

“Beyondless” dwells in the moments when attraction and repulsion are equally felt.

Joining the cult of the video collective, which mines thrift stores, swap meets, and other troves of obsolete media in search of the rare, obscure, and weird.

Cate Le Bon and Tim Presley make much with little.

On “Record,” Tracey Thorn exudes confidence in every utterance, and that self-assurance is bolstered by the brevity of the songs.