With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Magazine
See All 
Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
12
The Los Angeles Issue
Read More
Reviews
See All 
Soft Cell, The Art of Falling Apart [Super Deluxe Edition]
This six-disc collection expands upon the aggression, industrialism, and pernicious lyrics of the duo’s 1983 LP—a revenge, of sorts, on becoming pin-up darlings of the British new wave.
Miguel, Caos
The alt-R&B star’s fifth album embraces existential lyrical concepts to match its dusky jazz-electro sound, industrial ambience, and grouchy fuzzed guitars.
Just Mustard, We Were Just Here
The Irish noise-rockers throw stones at their shoegaze glass castle on their third LP, a heavy-padded experiment in hypnosis that manages to channel a sense of euphoric mania.
Ian Thomas
Articles
See All 
Load More
Reviews
The Love-Birds, “In the Lover’s Corner”
Powered by catchy melodies, memorable hooks, and shimmering harmonies.
June 01, 2018
Reviews
Iceage, “Beyondless”
“Beyondless” dwells in the moments when attraction and repulsion are equally felt.
May 18, 2018
Film + TV
Inside the Hodgepodge Creations of Everything Is Terrible!
Joining the cult of the video collective, which mines thrift stores, swap meets, and other troves of obsolete media in search of the rare, obscure, and weird.
May 10, 2018
Reviews
DRINKS, “Hippo Lite”
Cate Le Bon and Tim Presley make much with little.
April 26, 2018
Reviews
Tracey Thorn, “Record”
On “Record,” Tracey Thorn exudes confidence in every utterance, and that self-assurance is bolstered by the brevity of the songs.
March 12, 2018
