Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
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Cult of Luna, In the Shadow of Your Shadow
The Swedish post-metal pioneers’ intense 10th full-length is among their darkest, hardest-hitting statements as it searches this scorched earth for shafts of rapturous light.
Sufjan Stevens, Worst Christmas Ever!
The Christmas album format finds vindication as the songwriter distills timeless compositions into a primer that cares about reverence and reflection as much as bombastic experimentation.
Katie Dey, Universal Will
Trading her typical hyperpop textures for heavy rock notes, the Australian pop experimentalist focuses her sights on the rise of technofascism in the wake of an online coming-of-age.
Ian Thomas
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Reviews
The Love-Birds, “In the Lover’s Corner”
Powered by catchy melodies, memorable hooks, and shimmering harmonies.
June 01, 2018
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Iceage, “Beyondless”
“Beyondless” dwells in the moments when attraction and repulsion are equally felt.
May 18, 2018
Film + TV
Inside the Hodgepodge Creations of Everything Is Terrible!
Joining the cult of the video collective, which mines thrift stores, swap meets, and other troves of obsolete media in search of the rare, obscure, and weird.
May 10, 2018
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DRINKS, “Hippo Lite”
Cate Le Bon and Tim Presley make much with little.
April 26, 2018
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Tracey Thorn, “Record”
On “Record,” Tracey Thorn exudes confidence in every utterance, and that self-assurance is bolstered by the brevity of the songs.
March 12, 2018
