Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Charli XCX, Music, Fashion, Film
The pop star’s guitar-strewn reset is the stuff of savage, searing power-pop with primal, minimalist rhythms and a hint of sleek, sizzling electronics.
The Strokes, Reality Awaits
With their first album in six years, the influential garage rockers have defiantly moved on from slacker apathy in favor of a synthier era defined by an unexpected foray into the political.
Mojave 3, Mojave 3: 1995-2006
The Slowdive offshoot’s five melancholic LPs were remastered to more clearly express Rachel Goswell and Neil Halstead’s vision of hillbilly heartache and dustbowl romanticism.
Ian Thomas
Powered by catchy melodies, memorable hooks, and shimmering harmonies.
“Beyondless” dwells in the moments when attraction and repulsion are equally felt.
Joining the cult of the video collective, which mines thrift stores, swap meets, and other troves of obsolete media in search of the rare, obscure, and weird.
Cate Le Bon and Tim Presley make much with little.
On “Record,” Tracey Thorn exudes confidence in every utterance, and that self-assurance is bolstered by the brevity of the songs.
