With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Gloin, All of your anger is actually shame (and I bet that makes you angry)
On their second album, the Toronto band taps into the fury of their post-punk forebears with a polished set of psychological insights that feel angry in all the right ways.

Great Grandpa, Patience, Moonbeam
An experiment in more collaborative songwriting, the band’s highly ambitious first album in over five years truly shines when all of its layered ideas are given proper room to breathe.

Bryan Ferry & Amelia Barratt, Loose Talk
This ghostly collaborative album with spoken-word artist Barratt finds the Roxy Music leader digging his own crates for old demos and warped melodies that went unused until now.
Ilana Kaplan

In our latest digital cover story, Rhian Teasdale and Hester Chambers discuss adjusting to their newfound fame since the release of their self-titled debut album back in April.

In our latest digital cover story, Sophie Allison discusses bouncing back from burnout to craft her experimental new album Sometimes, Forever.

Alexis Krauss and Derek Miller talk hitting the right balance of melody and bombast, joy and melancholy, on their latest LP.

The British songwriter also discusses working with The 1975’s Matty Healy on her new single from “The Walls Are Way Too Thin.”

The songwriter discusses the global and personal events that led to the composition of his second solo LP “Changephobia” and embracing the “new confusion.”

In our new digital cover, Marie Ulven reflects on her debut album and the impermanence of joy, along with sharing an exclusive performance of “hornylovesickmess.”

The Boston emo group addresses heartbreak in the digital age on their sophomore release.

photo by Conner Lyons
On their third album, Seattle’s funniest punks come clean.