Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Fucked Up, Year of the Goat
Made up of two nearly half-hour tracks, the hardcore experimentalists’ latest is artistically commendable and consistently intriguing, even if it tends to test the listener’s patience.
This Is Lorelei, Holo Boy
Water From Your Eyes’ Nate Amos digs into his back catalog of nearly 70 releases shared over the last 12 years, revealing his humble beginnings and the seeds of last year’s breakout LP.
Pink Floyd, Wish You Were Here 50
This box set repackages the languid yet damaged follow-up to the band’s breakout success, with its true star being the massive-sounding bootleg of a 1975 live show at LA’s Sports Arena.
Jeff Terich
The cult post-punks ease into a more accessible form of noise rock than their skronkiest early works exhibited that nonetheless feels like a natural progression from where we last heard them.
Patrick Stickles discusses the group’s new album The Will to Live, out this week via Merge Records.
On the follow-up to their 2017 debut, the Bristol punks are louder, fiercer, and entirely more vulnerable.
photo by Ray Lego
Mackenzie Scott maps out the mental spaces, color palettes, and newfound sensuality that influenced her third LP.
Don’t call it slacker rock, but the Atlanta trio provide only the bare minimum.
Having formally stepped away from the Pharmacists for the first time in his career, Leo is taking a new approach at this whole rock star thing.
photo by Lance Laurence
The baddest dudes in Hotlanta know how to find the weird wherever they go.
More than anything, “Goths” seems to operate like an extended love letter to the oft-misunderstood subculture.
“The Far Field,” much like Future Islands albums that preceded it, is a deeply romantic album.
Ty Segall / photo Denée Petracek
Having conquered a variety of genre albums in recent years, the genre this time around is that there isn’t a genre—just a dedication to the sanctity of the music and music alone.
After their strong debut found them playing to passionate crowds, controversy over the Calgary band’s original name caused them to retreat and regroup. Now they’ve returned with a new name and a second debut record that might be darker—and more powerful—than the first.
