Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
This Is Lorelei, Holo Boy
Water From Your Eyes’ Nate Amos digs into his back catalog of nearly 70 releases shared over the last 12 years, revealing his humble beginnings and the seeds of last year’s breakout LP.
Pink Floyd, Wish You Were Here 50
This box set repackages the languid yet damaged follow-up to the band’s breakout success, with its true star being the massive-sounding bootleg of a 1975 live show at LA’s Sports Arena.
Blur, The Great Escape [30th Anniversary Edition]
Packed with era-appropriate B-sides, this release celebrates the Britpop quartet in their last gasp of opulent orchestration as they moved into lonely disillusionment and reserved distance.
Jessica Lynn
2016. Polica United Crushers cover
“United Crushers” presents its listeners with an all-encompassing wall of sound that makes the outside world fade away.
2016. Feels self-titled cover hi-res
For Feels, noisiness isn’t a cop-out.
2016. Nap Eyes Thought Rock Fish Scale cover hi-res
Canadian foursome Nap Eyes have proved to be at the top of their game when it comes to making witty, intellectual rock that could easily be the soundtrack to a slightly depressed professor’s life.
2016. DJDS Stand Up and Speak cover hi-res
On the duo’s second album, “Stand Up and Speak,” DJDS (formerly known as DJ Dodger Stadium) create dynamism out of repetition and make meaning out of small things.
2015. Coromandelles, “Late Bloomers’ Bloomers”
Bursting with ethereal harmonies and dripping with sun-kissed guitar riffs, “Late Bloomers’ Bloomers” is thirty-two minutes of fuzzy, wine-drunk jams that manages to be sophisticated, sleazy, raucous, and dreamy all at once.
Small Black. Best Blues cover.
Small Black is still making dizzy electro-pop, but this time their tracks reach deeper, with heavier themes and better production.
In the end, “I Thought the Future Would Be Cooler” is too caught up in its own gimmicks to tread any new ground.
2015 JR JR self-titled cover hi-res
On their way to achieving this new sound, JR JR has sacrificed the sincerity that made them special in the first place.
