With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Rebecca Black, Salvation
An intoxicating blend of Y2K aesthetics and bubblegum pop, Black’s second album is a celebration of her musical evolution from internet laughing stock to hyperpop powerhouse.

Hamilton Leithauser, This Side of the Island
The Walkmen vocalist finds an exquisite balance of raspy, lounge-lizard crooning and angsty art-rocking on a solo album full of distressed lyricism and black humor.

Lady Gaga, Mayhem
The pop star’s latest album is chaotic by design, blending elements from across her career to craft something you can dance to, swoon with, and don black eyeshadow for.
Jessica Lynn

2016. Polica United Crushers cover
“United Crushers” presents its listeners with an all-encompassing wall of sound that makes the outside world fade away.

2016. Feels self-titled cover hi-res
For Feels, noisiness isn’t a cop-out.

2016. Nap Eyes Thought Rock Fish Scale cover hi-res
Canadian foursome Nap Eyes have proved to be at the top of their game when it comes to making witty, intellectual rock that could easily be the soundtrack to a slightly depressed professor’s life.

2016. DJDS Stand Up and Speak cover hi-res
On the duo’s second album, “Stand Up and Speak,” DJDS (formerly known as DJ Dodger Stadium) create dynamism out of repetition and make meaning out of small things.

2015. Coromandelles, “Late Bloomers’ Bloomers”
Bursting with ethereal harmonies and dripping with sun-kissed guitar riffs, “Late Bloomers’ Bloomers” is thirty-two minutes of fuzzy, wine-drunk jams that manages to be sophisticated, sleazy, raucous, and dreamy all at once.

Small Black. Best Blues cover.
Small Black is still making dizzy electro-pop, but this time their tracks reach deeper, with heavier themes and better production.

In the end, “I Thought the Future Would Be Cooler” is too caught up in its own gimmicks to tread any new ground.

2015 JR JR self-titled cover hi-res
On their way to achieving this new sound, JR JR has sacrificed the sincerity that made them special in the first place.