With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Devendra Banhart, Cripple Crow [20th Anniversary Deluxe Edition]
Further extending the LP’s dimensions, this reissue adds a third disc of outtakes, B-sides, and demos that only serve to fortify the project’s sonic asymmetry and emotional, quixotic lyricism.

Die Spitz, Something to Consume
With their Will Yip–produced debut, the Austin punk quartet has something to say about postmodern society in 11 metal-fusion tracks ripe with political turmoil and skatepark angst.

Shame, Cutthroat
The UK rockers don’t mince words on their fourth studio album, pairing their infectious proto-punk grooves with nakedly hedonistic lyrics.
Jessica Lynn

2016. Polica United Crushers cover
“United Crushers” presents its listeners with an all-encompassing wall of sound that makes the outside world fade away.

2016. Feels self-titled cover hi-res
For Feels, noisiness isn’t a cop-out.

2016. Nap Eyes Thought Rock Fish Scale cover hi-res
Canadian foursome Nap Eyes have proved to be at the top of their game when it comes to making witty, intellectual rock that could easily be the soundtrack to a slightly depressed professor’s life.

2016. DJDS Stand Up and Speak cover hi-res
On the duo’s second album, “Stand Up and Speak,” DJDS (formerly known as DJ Dodger Stadium) create dynamism out of repetition and make meaning out of small things.

2015. Coromandelles, “Late Bloomers’ Bloomers”
Bursting with ethereal harmonies and dripping with sun-kissed guitar riffs, “Late Bloomers’ Bloomers” is thirty-two minutes of fuzzy, wine-drunk jams that manages to be sophisticated, sleazy, raucous, and dreamy all at once.

Small Black. Best Blues cover.
Small Black is still making dizzy electro-pop, but this time their tracks reach deeper, with heavier themes and better production.

In the end, “I Thought the Future Would Be Cooler” is too caught up in its own gimmicks to tread any new ground.

2015 JR JR self-titled cover hi-res
On their way to achieving this new sound, JR JR has sacrificed the sincerity that made them special in the first place.