With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Neil Young, Coastal: The Soundtrack
Documenting his 2023 tour, Young’s umpteenth live album both simplifies the noise of Crazy Horse’s recent recordings and solidly renders familiar hits in a solo setting.

Adrian Younge, Something About April III
The third and final installment of his vintage psych-soul trilogy sees the songwriter bring the large history of Brazil into a tight narrative revolving around young love and class struggle.

Julien Baker & TORRES, Send a Prayer My Way
Baker and Mackenzie Scott’s debut pop-country collaboration is made up of a nuanced and emotionally kinetic set of hangdog story-songs that wear their nudie suits with pride.
Jessica Lynn

2016. Polica United Crushers cover
“United Crushers” presents its listeners with an all-encompassing wall of sound that makes the outside world fade away.

2016. Feels self-titled cover hi-res
For Feels, noisiness isn’t a cop-out.

2016. Nap Eyes Thought Rock Fish Scale cover hi-res
Canadian foursome Nap Eyes have proved to be at the top of their game when it comes to making witty, intellectual rock that could easily be the soundtrack to a slightly depressed professor’s life.

2016. DJDS Stand Up and Speak cover hi-res
On the duo’s second album, “Stand Up and Speak,” DJDS (formerly known as DJ Dodger Stadium) create dynamism out of repetition and make meaning out of small things.

2015. Coromandelles, “Late Bloomers’ Bloomers”
Bursting with ethereal harmonies and dripping with sun-kissed guitar riffs, “Late Bloomers’ Bloomers” is thirty-two minutes of fuzzy, wine-drunk jams that manages to be sophisticated, sleazy, raucous, and dreamy all at once.

Small Black. Best Blues cover.
Small Black is still making dizzy electro-pop, but this time their tracks reach deeper, with heavier themes and better production.

In the end, “I Thought the Future Would Be Cooler” is too caught up in its own gimmicks to tread any new ground.

2015 JR JR self-titled cover hi-res
On their way to achieving this new sound, JR JR has sacrificed the sincerity that made them special in the first place.