Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Dua Saleh, Of Earth & Wires
The Sudanese-American songwriter’s second album blends R&B and electronic pop with spoken-word poetry to create a tapestry of lush sounds and mythic language.
Kraftwerk, Radio-Activity [50th Anniversary Edition]
This re-release presents a band that’s palatably gleeful to have figured out their formula with an astonishingly cohesive and weirdly poppy picture of a Cold War–fogged world.
Towa Bird, Gentleman
The shred-bending guitarist is out for blood on her second LP as she channels femme-punk fury and four-on-the-floor disco beats into songs aiming to bust the heads of the pop patriarchy.
Kevin Crandall
True to its name, this LP invites the listener to revitalize and reflect as the Brooklyn-based producer reconnects with her emceeing roots and wraps us in soft synthscapes.
The Charleston-based indie rockers explore the middle ground between the quiet isolation of the mountains and the chaos of the live show on these five songs.
The South London sibling duo take stock of the clutter in their life with a second EP of rave-infused pop-punk that may convince the listener that it was actually recorded in 2012.
Littered with existential concerns about what is truly real versus carefully curated presentation, Ryan Kaiser wrestles with American suburbia on his third album of indie-surf tunes.
The crooning alt-R&B figure’s third album compresses you like a weighted blanket under its emotional stories of grief and loss distilled over seven years.
The engineer and producer hops back on the mic for an extended ode to Wu-Tang Clan, the group that’s fueled her passion for hip-hop since childhood.
The emcee formerly known as Pink Navel talks rebranding with their debut project under the more autobiographical moniker, There Was a Wind, but No Chime.
His second EP of 2025 sees the artist lean into his writing capabilities over addictive indie-rock melodies to reflect on the resilience that’s carried him through the last few tumultuous years.
With her new MIDNIGHT EP out now, the producer tells us about her formative experiences at Low End Theory, her ideal slumber party, and more.
Following a hiatus from recording, this fourth LP is a journey through the beauty and messiness of relationships that have colored the past five years of Taylor’s musical hibernation.
The track will close out the Savannah-based alt-rap artist’s Buried Out Back EP, which drops in full tomorrow.
Leading with distortion and chaos, the Austin group’s debut is a 22-minute cataclysm of hardcore punk and harsh noise that distills the anti-capitalist ethos of their moniker.
The LA-based musician discusses getting weird on his latest project, art Pop * pop Art.
The LA-based artist’s most comprehensive foray into genre abolition yet is a whirlwind of artistic exploration that sees the songwriter coloring well outside of hip-hop’s lines.
Despite being incarcerated by the State of Ohio, the poet teamed up with the improvisational jazz artist for what is the first known live recording from a death row inmate.
The emcee’s third solo album blends house, hip-hop, and the East African sun to give listeners a deeply personal look at the journeyman rapper’s Eritrean-Ethiopian heritage.
Their debut collaboration stitches the poet/emcee’s potent oratory chops through the metal group’s free-form sounds to create an avant-garde epic concerning human rights, violence, and empire.
The Zambian-Canadian noise-rapper returns from a brief hiatus with an existentialist exploration of death, violence, and, ultimately, love, a textural letter to the downtrodden and the hopeless.
The Saba co-signed DMV rapper shares a boom-bap sermon to follow up his 2023 debut album Spleck.
Graham Jonson also provides some insight into the inspirations and processes that informed his upcoming album, I Heard That Noise.
