Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Peaches, No Lube So Rude
Still stationed at the politicized meeting place of sexuality, queer iconography, feminism, and funk, there’s something sleekly hyperpop about the artist’s first album in over a decade.
Choker, Heaven Ain’t Sold
The crooning alt-R&B figure’s third album compresses you like a weighted blanket under its emotional stories of grief and loss distilled over seven years.
The Beach Boys, We Gotta Groove: The Brother Studio Years [Super Deluxe Edition]
Focusing on the band’s mid-’70s run (and its outtakes), this package is among the oddest, most experimental, and most fulfilling in Beach Boys box history.
Kevin Crandall
Politically punk while sonically dance music, The B-52’s vocalist’s first solo record in nine years is a musically and thematically diverse scattershot of personal reflection and activism.
The 11 rock-out earworms chronicling depression and anxiety on the Tacoma-based group’s second LP are well worth the headache.
The Filipina-English artist’s Rick Rubin–produced third album provides a brutally realist introduction to the emotional maturation she’s undergone in the two years since her last LP.
On her studio debut, the Bronx rapper and it-girl of Gen Z’s Y2K aesthetic revivalism gives the impression of a young artist exploring her range.
The West Coast emcee shares how years of observing his TDE labelmates helped shape his new record, which was five years in the making.
On his final release with Def Jam, the Long Beach rapper builds upon his recent output to hone in on the darkness of his past while offering a glimpse into his healing process.
