Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Courtney Barnett, Creature of Habit
Still flatliningly deadpan, the Australian songwriter uses the back-and-forth fear of the new as a start point for further depth-diving and confession on her fourth solo album.
The Twilight Sad, It’s the Long Goodbye
The sixth album from the Scottish proponents of existential angst is centered around the intertwining duality of death and life, fueled in turn by feelings of despair, disbelief, and defiance.
deary, Birding
Sounding like a band well into their second decade of existence, the London-based dream-pop trio stretch each song on their debut without ever letting them overstay their welcome.
Kim March
You have the N.A.S.A. producer’s blessing to make babies to his latest single.
In her ACL debut, Janelle caps her landmark year with a cut from “Electric Lady.”
The Los Angeles–based chanteuse—whose debut EP will be out soon via Republic Records—recognizes that sometimes, love hurts.
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Taking a step back from his decade-spanning work with The Whigs, the songwriter unleashes his first solo album via New West Records.
It’s not quite “Smells Like Teen Spirit,” but the new video sees the UK pop duo transform in an elementary setting.
Along with the clip, the indie mainstays offer up a new set of February US dates.
Their latest single precedes their eighth record, Darker Days, due out next week.
