FLOOD

It’s goodbye low budget, hello high society on Best Coast’s third full-length “California Nights.”

On the Kentucky band’s seventh album “The Waterfall,” the guitars are so few and far between that the band’s metamorphosis from garage gods to production wizards is nearly complete.

The famed visual artist discusses his avant-garde progression with art by way of virtual reality.

“Edge of the Sun” is what fans were clamoring to hear while sitting patiently through Joey Burns and John Convertino’s well-received but incredibly melancholic recent releases.

Reptar is an unfortunately named band that usually has enough tricks up its sleeve to be forgiven for it. But not this time around.

Far too often, words like “trippy,” “spacey,” and “acid” pepper descriptions of Moon Duo and guitarist/singer Ripley Johnson’s better-known band, Wooden Shjips.

The transitive property of congruence is hard at work in David Cronenberg’s newest film Maps to the Stars, which could…

While nothing on “Circus” is revolutionary, it sure is entertaining.

Like Conan O’Brien’s hair, Ty Segall is on fire.

Cadien Lake James has some choice words for all you Chicago haters: “I can see into the future / I can see the weather change,” he sings on the first track of his band’s second album.

Following last year’s successes, the Black Angels are staging an encore with Clear Lake Forest, a 30-minute effort that tells stories of executioners and—you guessed it—clear lakes.