FLOOD

Joe Goddard discusses evolving the spectacle of their recorded output and refining their craft on the band’s eighth studio album.

This remixed odds and ends collection is longer, denser, more disorderly, and less refined than the composer’s solo effort from last year.

These colorful, multilayered songs flow from Noah Lennox and Pete Kember as they avoid the prickliness of other pandemic releases.

On his second album in less than four months, White leans into his softer side, oftentimes overshadowed by his blistering electric guitar solos.

The London trio’s third album is full of hallucinogenic scenes where jazz, prog, electronic, and punk pretzel around each other until it looks like one musical gordian knot.

Nika Roza Danilova also discusses getting to know herself in a new way through her latest collection of gothic songs.

The Real Estate vocalist’s second solo LP can coast by in one moment before jolting you back to bygone days with a sharp turn of phrase or instrumental U-turn.

On his intimate sophomore effort, Strange is thankfully still not settling into one particular style as he soundtracks self-examinations on pained familial histories.

By ramping down the production value, the Swedish songwriter puts a strict focus on the small, captured moments, akin to studying a lover’s face for context clues.

This sixth album often finds a veteran band charging atop vigorous, surging melodies and not being afraid to just lean into the groove again.

The duo’s fourth LP is a multitude of things at one time, and that’s both its downfall and its triumph.

Varying in length, tone, and setting, these 10 tracks sound like a new era for both Carey Mercer’s singing and his backing trio that have pushed him along.

Dan Bejar’s emotionally rumpled pandemic album wanders through a diverse set of genres, requiring the listener to look at it from all angles.

The metal experimentalists work ’90s alt rock and ambient space-rock experimentation into the mix on their fifth LP.

The odd experiments, melodic dead ends, and other outtakes on this compilation are geared toward diehard fans of the monumental 1999 album.

Claire Cottrill’s sophomore effort is a strong footfall out of the music industry quicksand and a way to wash the past and online naysayers away.

There’s nothing too shocking on the duo’s first album in a decade, and there are still plenty of cozy vibes.

This 49-track space odyssey is a precarious and complicated release, like a a laugh escaping the mouth of someone too tired of weeping.

The group’s 11th album is an agreeable, yet predictable, verse-chorus rock album with plenty of pop accoutrements.

The Brooklyn trio’s sixth LP is an elegant metamorphosis for a group that seemed crystallized within its mid-’00s indie-rock styles.