Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Kelsey Lu, So Help Me God
On their second LP, Lu taps Jack Antonoff and Yves Rothman to co-produce a fascinating tapestry of pop, R&B, electronica, classical, folk, and everything avant-garde in between.
Genghis Tron, Signal Fire
The cacophony of ideas on display on the transhumanist metal band’s dystopian fourth album reflects the relentless, manic digi-present we find ourselves in today.
Vince Staples, Cry Baby
On his first release away from Def Jam, the emcee spends more time looking outward than inward, peering into a communal politic with more rock to his roll than ever before.
Kyle Lemmon
2014. The Rosebuds, “Sand + Silence” album art
The thirteen-year career of indie-pop duo The Rosebuds was established on the romantic relationship between Kelly Crisp and Ivan Howard, who began the group in the midst of courting, wed at the zenith of their career, and kept limping along after a messy divorce.
2014. Bear In Heaven, “Time Is Over One Day Old” album art.
Brooklyn-via-Alabama trio Bear in Heaven continue to melt down their prog and electro sensibilities into a white-hot core for their fourth album Time Is Over One Day Old. The verve of the group’s 2009 breakthrough release Beast Rest Forth Mouth even returns to some extent.
2014 Sia “1000 Forms of Fear” album art
Australian pop marvel Sia Furler wrote some of the biggest songs of the past five years, including Beyoncé’s “Pretty Hurts” and Rihanna’s “Diamonds,” but she continues to kick against all preconceived celebrity notions on her sixth album, 1000 Forms of Fear.
