Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
The Beach Boys, We Gotta Groove: The Brother Studio Years [Super Deluxe Edition]
Focusing on the band’s mid-’70s run (and its outtakes), this package is among the oddest, most experimental, and most fulfilling in Beach Boys box history.
The Black Heart Procession, 1 [Reissue]
This remastered re-release of the duo’s haunting, melancholy 1998 debut serves as a brilliant reintroduction to a criminally underappreciated band.
hemlocke springs, the apple tree under the sea
Naomi Udu’s debut album soundtracks her journey of self-discovery through her own version of heaven and hell in a glitch-pop take on Paradise Lost and Dante’s Inferno.
Lana Fleischli
Exploring her personal growth since 2021’s History of a Feeling, the Nashville-based songwriter’s latest mulls over complex emotions—which happen to coincide with a new love.
On her proper debut album, the viral TikTok hitmaker looks to the past to create a new blueprint for Gen Z pop music.
On her EP sequel to last year’s Big Time LP, Olsen goes into depth about her thoughts on the concept of commitment in a way that lets the listener get lost in her head for a little while.
The neo-soul artist’s non-linear third LP covers a range of relatable emotions tied to the life cycle of a relationship.
The Denmark art-pop collective’s third record is the embodiment of nearly a decade of shared experiences and conversations, exhibiting a seamless connection between creatives.
The fourth LP from the Liverpool-based Britpop fourpiece plays on heartbreak and perspective, likely resonating with the listener no matter their interpretation.
On her sophomore LP, the singer and actress has no fear in exposing her truest feelings and thoughts, often from the distance afforded by singing from the perspective of another person.
Contrasting with its playful album cover, the LA rockers’ sophomore LP struggles with the implications of how the present will affect us in 10 years.
The queen of self-love’s sophomore major-label effort is an album filled with gratitude and a push for new beginnings.
Clover’s debut takes themes related to love and cranks it up a notch, provoking a sense of fear to go along with a narrative that often feels akin to Bonnie and Clyde.
Two years after its release, the West Coast duo is rereleasing the sunny LP as a deluxe package featuring a few new cuts.
The latest from René Kladzyk highlights the sadness that comes with the holiday season.
The latest from the Chicago group sounds wholly futuristic while lyrically placing the listener in the all-too-familiar present.
Pulling from 1980s synth influences and written over FaceTime, the latest from the Bay Area post-punks is a capsule of post-pandemic life.
The debut EP from the Richmond-based songwriter provides enough substance to satisfy, but hides enough to keep you craving more.
