With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Marissa Nadler, New Radiations
The gothic songwriter’s latest collection of bad-dream vignettes feels like a return to the mold she was cast in as she wrestles with the current state of her country through obscured lyrics.

The Black Keys, No Rain, No Flowers
The blues-rock duo sifts through wreckage in search of meaning and growth on their 13th album only to come up with answers that are every bit as pat and saccharine as the title suggests.

JID, God Does Like Ugly
After 15 years of writing and developing verses, the Dreamville rapper has become a master of the form on his fourth album as he finds resolution and comes to recognize his purpose.
Leah Mandel

15 great tracks made greater with the help of friends and unexpected allies.

Frankie Cosmos
The prolific songwriter discusses learning to love love and ask questions prior to the release of her band’s fourth album, “Close It Quietly.”

Eva Hendricks and her band discuss the honesty and maturity that went into writing “Young Enough.”

If Yves Tumor, JPEGMAFIA, or Pharmakon have grabbed your attention lately, we’ve got your new obsessions.

Unlike most supergroups, the debut EP from the songwriting team of Phoebe Bridgers, Julien Baker, and Lucy Dacus invites listeners to hear each artist as an individual.

The experimental rock vets put their spin on two creepy classics from “The Shining”’s soundtrack—and Rodriguez, who took the helm on the project, might have been the most spooked out of everyone involved.

How four sweet dudes from Chicago came up in the DIY rock scene and made a killer debut album.