With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Leaving Time, Angel in the Sand
At various turns haunting, alluring, catchy, and confident, the Jacksonville shoegazers’ well-considered debut introduces the band with aplomb.
Bryan Ferry, Retrospective: Selected Recordings 1973-2023
Far from isolating Ferry from Roxy Music, this 50-year retrospective examines collaboration as the throughline between his elegant early material and his latter-day paeans to loneliness.
Mount Eerie, Night Palace
Phil Elverum decries genocide and gentrification while exploring more personal themes that once again unify his distorted lo-fi recordings as a cohesive testament to feeling insignificant.
Leah Mandel
15 great tracks made greater with the help of friends and unexpected allies.
The prolific songwriter discusses learning to love love and ask questions prior to the release of her band’s fourth album, “Close It Quietly.”
Eva Hendricks and her band discuss the honesty and maturity that went into writing “Young Enough.”
If Yves Tumor, JPEGMAFIA, or Pharmakon have grabbed your attention lately, we’ve got your new obsessions.
Unlike most supergroups, the debut EP from the songwriting team of Phoebe Bridgers, Julien Baker, and Lucy Dacus invites listeners to hear each artist as an individual.
The experimental rock vets put their spin on two creepy classics from “The Shining”’s soundtrack—and Rodriguez, who took the helm on the project, might have been the most spooked out of everyone involved.
How four sweet dudes from Chicago came up in the DIY rock scene and made a killer debut album.