With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Sudan Archives, The BPM
Brittney Parks’ inventive third album channels the electronic musical lineage of Chicago and Detroit by combining house, techno, and footwork with broader sounds like hyperpop and IDM.

The Last Dinner Party, From the Pyre
The Londoners’ second LP doubles down on the ’70s pomp for another ornate, big-budget collection of orchestral glam rock that, despite its flair, doesn’t leave a lasting impression.

John & Yoko/Plastic Ono Band with Elephant’s Memory, Power to the People: The Ultimate Collection
Produced by Sean Ono Lennon, this nine-CD, three-Blu-ray set ties together his parents’ raw, grimy Some Time in New York City LP with a pair of shows at Madison Square Garden.
Lizzie Logan

Revisiting the not-entirely-un-Everything-Everywhere-All-at-Once–like dramedy 20 years on.

Looking past its overly complicated plot, the third installment to Sam Raimi’s trilogy instigated the modern epidemic of Too Much Spidey.

Revisiting Jonathan Kasdan’s occasionally funny but entirely predictable directorial debut 15 years on.

Part vaudeville, part clubhouse, Dynasty Typewriter is the coolest spot in alternative comedy. But with global ambitions, its founders are just getting started.

Looking back on one comedy from the ’80s-remake boom that’s aged like milk 10 years on.

There’s no mystery, no pathos, no heart, and no humor in this 2002 fanfic-like vampire tale—though you might like watching it drunk with your friends.

Buried in a year particularly full of other wedding-set romantic comedies, “Date” remains a charming outlier—not to mention a vestige of peak quirk.

“War Horse”? More like “Why Horse”!

At 15, the 007 origin story holds up as the best Daniel Craig Bond movie, as well as one of the high points of mid-’00s action flicks.

On its 15th anniversary, we revisit Sofia Coppola’s tale of decadence that favors vibes over morals and parable.

They’re doing you dirty, Diana.

It’s no “Josie and the Pussycats,” but the oft-quoted Ben Stiller film sure gave us a laugh when we needed one.

The NY-based collective’s new album officially drops tomorrow.

On its 10th anniversary, we revisit the junior-varsity bro comedy that was almost certainly inspired by an actual gruesome crime.

Revisiting the 2011 rom-com that’s little more than what the title suggests.

On its 25th anniversary, it’s time to revisit the Disney movie as the dark, twisted, weird-as-fuck animated musical for kids that it is.

Revisiting the 1999 himbo adventure classic about white people fucking around with ancient artifacts, which rocks.

Looking back on the tired horror-satire 10 years on, and exploring how it anticipates a post–Wes Craven revival of the series.

Looking back on a (sadly) bygone lit-adaptation teen movie tradition via a staple of the genre that probably couldn’t have been made today.

Reassessing the Sandler arc on his career-defining film’s 25th anniversary.