Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Anna Calvi, Is This All There Is?
The British songwriter returns with a four-song EP defined by theatrical arrangements and an actorish guest list featuring Iggy Pop, Laurie Anderson, Perfume Genius, and Matt Berninger.
Various artists, Red Xerox: Chicago Youth Beat 2020-2025
Spotlighting the diversity of Chicago’s underground scene, this comp is as much a symposium for genre-defying trailblazers as it is a no-skips playlists capturing the city’s budding youth-beat movement.
Cut Worms, Transmitter
Produced by Jeff Tweedy, Max Clarke’s fourth album tampers down the luster of past records, grounding aspects of the indie-folk songwriter’s music that once seemed impossibly pristine.
Lizzie Logan
We come to the third best, cousincest “Godfather” before the day of its 30th anniversary.
Revisiting Joe Wright’s 2005 adaptation—with its too-attractive Elizabeth and .gif-able hand flex—fifteen years later.
A scientific investigation into the cinematic dad rock tune that would not die.
Looking back on fifteen years of Cameron Crowe’s half-baked rom-com and, of course, the “Manic Pixie Dream Girl” trope.
How three monumental events in 2020 have reshaped the race-conscious Disney favorite on its 20th anniversary.
Recently revived by Netflix, we revisit the original 1995 hangout movie for its 25th anniversary.
Revisiting the rom-com—which is problematic for reasons you might not expect—fifteen years later.
Less profound than personal, we revisit Miranda July’s debut feature 15 years later.
Love it or hate it, this “SNL” adaptation is unquestionably unpleasant to watch with your dad.
Re-re-revisiting the comedy classic in the era of quarantine.
The songwriter bridges the gap between character and audience in “Bridesmaids” and Hustlers.”
Noah Baumbach’s prickliest film turns ten.
Guess who’s coming to the foreign exchange program? A DCOM, 20 years later.
Fifteen years later, “Phantom” joins the tradition of bad movies that feel good to hate.
On the tenth anniversary of the actress’ untimely death, her legacy lives on—though not as potently as it should.
Twenty years later, we reconsider the deceit, intrigue, and blame at the center of Anthony Minghella’s film.
These are the Disney Channel Original Movies that need to be seen to be believed.
The romance-fantasy-biopic-drama about J.M. Barrie and the creation of Peter Pan turns fifteen.
Spike Jonze’s melancholy adaptation of Maurice Sendak children’s book turns ten.
The downer fable about unhappy white people turns twenty.
