Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
deary, Birding
Sounding like a band well into their second decade of existence, the London-based dream-pop trio stretch each song on their debut without letting them overstay their welcome.
Flea, Honora
While the Red Hot Chili Peppers bassist’s collaboration-heavy foray into jazz occasionally errs on the side of pensive, it’s never anything less than heartfelt.
Robyn, Sexistential
The Stockholm-based electropop auteur’s ode to motherhood falls right in line with her always-mature, somewhat-confrontational manner of making desire-driven dance pop.
Lizzie Logan
Revisiting the rom-com 20 years later, J.Lo playing a full-blooded Italian is far from the only detail we can’t get behind.
We come to the third best, cousincest “Godfather” before the day of its 30th anniversary.
Revisiting Joe Wright’s 2005 adaptation—with its too-attractive Elizabeth and .gif-able hand flex—fifteen years later.
A scientific investigation into the cinematic dad rock tune that would not die.
Looking back on fifteen years of Cameron Crowe’s half-baked rom-com and, of course, the “Manic Pixie Dream Girl” trope.
How three monumental events in 2020 have reshaped the race-conscious Disney favorite on its 20th anniversary.
Recently revived by Netflix, we revisit the original 1995 hangout movie for its 25th anniversary.
Revisiting the rom-com—which is problematic for reasons you might not expect—fifteen years later.
Less profound than personal, we revisit Miranda July’s debut feature 15 years later.
Love it or hate it, this “SNL” adaptation is unquestionably unpleasant to watch with your dad.
Re-re-revisiting the comedy classic in the era of quarantine.
The songwriter bridges the gap between character and audience in “Bridesmaids” and Hustlers.”
Noah Baumbach’s prickliest film turns ten.
Guess who’s coming to the foreign exchange program? A DCOM, 20 years later.
Fifteen years later, “Phantom” joins the tradition of bad movies that feel good to hate.
On the tenth anniversary of the actress’ untimely death, her legacy lives on—though not as potently as it should.
Twenty years later, we reconsider the deceit, intrigue, and blame at the center of Anthony Minghella’s film.
These are the Disney Channel Original Movies that need to be seen to be believed.
The romance-fantasy-biopic-drama about J.M. Barrie and the creation of Peter Pan turns fifteen.
Spike Jonze’s melancholy adaptation of Maurice Sendak children’s book turns ten.
