Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Cut Worms, Transmitter
Produced by Jeff Tweedy, Max Clarke’s fourth album tampers down the luster of past records, grounding aspects of the indie-folk songwriter’s music that once seemed impossibly pristine.
Kim Gordon, Play Me
Fully embracing the trashy SoundCloud-era internet aesthetic as she raps, sings, and shreds over industrial clatter, this is the sound of an artist who’s still inspired by the cutting edge at 72.
The Notwist, News From Planet Zombie
This folksy, brassy new iteration of the German trio excels at melodies that yearn and churn with melancholy—yet still manages something celebratory.
Margaret Farrell
A deluxe version of her 2019 LP Trinity—featuring a handful of additional remixes—arrives November 19.
It’s the Brooklyn-based quartet’s debut single for True Panther.
It’s the second single from the Stockholm-based group, following last month’s debut release.
So far, it’s the sole single we’ve gotten from the artist this year.
The Irish musician’s forthcoming album Theatre is out November 18.
The fest takes place in downtown Phoenix on March 3 & 4.
Swift is finally bringing her four most recent albums to life with additional support from beabadoobee, girl in red, Gracie Abrams, and others.
The Toronto-based musician’s new single is the first release on his new label home of Dine Alone Records.
The group’s final project before a planned hiatus is out November 17.
It’s the second single from the rapper this year.
The cover comes alongside a revamp of “Unbraid” from her recent album Let’s Turn It Into Sound.
The visual was created by The Last Black Man In San Francisco director Joe Talbot.
The adaptation of “I felt a Funeral, in my Brain” follows Bird’s recent album Inside Problems that came out over the summer.
The drummer’s first solo LP since 2017’s Let Me Go is out February 24 via Bella Union.
This world is only big enough for one Drake.
The new single is the follow-up to her summer release “So Typically Now.”
The full episode, which also features Allison Russell, airs October 22 on PBS.
It’s her first new music since her 2019 debut EP A Song for Every Chamber of the Heart.
It’s the lead single from Orbital’s 10th studio album OpticalDelusion planned for release early next year.
It’s the third single from their upcoming full-length Alpha Zulu, out November 4.
