With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Marissa Nadler, New Radiations
The gothic songwriter’s latest collection of bad-dream vignettes feels like a return to the mold she was cast in as she wrestles with the current state of her country through obscured lyrics.

The Black Keys, No Rain, No Flowers
The blues-rock duo sifts through wreckage in search of meaning and growth on their 13th album only to come up with answers that are every bit as pat and saccharine as the title suggests.

JID, God Does Like Ugly
After 15 years of writing and developing verses, the Dreamville rapper has become a master of the form on his fourth album as he finds resolution and comes to recognize his purpose.
Margaret Farrell

A deluxe version of her 2019 LP Trinity—featuring a handful of additional remixes—arrives November 19.

It’s the Brooklyn-based quartet’s debut single for True Panther.

It’s the second single from the Stockholm-based group, following last month’s debut release.

So far, it’s the sole single we’ve gotten from the artist this year.

The Irish musician’s forthcoming album Theatre is out November 18.

The fest takes place in downtown Phoenix on March 3 & 4.

Swift is finally bringing her four most recent albums to life with additional support from beabadoobee, girl in red, Gracie Abrams, and others.

The Toronto-based musician’s new single is the first release on his new label home of Dine Alone Records.

The group’s final project before a planned hiatus is out November 17.

It’s the second single from the rapper this year.

The cover comes alongside a revamp of “Unbraid” from her recent album Let’s Turn It Into Sound.

The visual was created by The Last Black Man In San Francisco director Joe Talbot.

The adaptation of “I felt a Funeral, in my Brain” follows Bird’s recent album Inside Problems that came out over the summer.

The drummer’s first solo LP since 2017’s Let Me Go is out February 24 via Bella Union.

This world is only big enough for one Drake.

The new single is the follow-up to her summer release “So Typically Now.”

The full episode, which also features Allison Russell, airs October 22 on PBS.

It’s her first new music since her 2019 debut EP A Song for Every Chamber of the Heart.

It’s the lead single from Orbital’s 10th studio album OpticalDelusion planned for release early next year.

It’s the third single from their upcoming full-length Alpha Zulu, out November 4.