Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Dua Saleh, Of Earth & Wires
The Sudanese-American songwriter’s second album blends R&B and electronic pop with spoken-word poetry to create a tapestry of lush sounds and mythic language.
Kraftwerk, Radio-Activity [50th Anniversary Edition]
This re-release presents a band that’s palatably gleeful to have figured out their formula with an astonishingly cohesive and weirdly poppy picture of a Cold War–fogged world.
Towa Bird, Gentleman
The shred-bending guitarist is out for blood on her second LP as she channels femme-punk fury and four-on-the-floor disco beats into songs aiming to bust the heads of the pop patriarchy.
Margaret Farrell
The American rap group—or boy band, if you ask them—have found the right balance of vulnerability and abrasive freneticism.
“Sweetener” is a pop remedy for anxiety, while also explicitly detailing its crippling nature.
Ross from Friends’ debut indulges in humor and the minutiae of legacy, handling the details with care.
“Hive Mind” solidifies The Internet’s sound as a newly formed molecule, sharing skills and attributes like electrons in a covalent bond.
More playful than cannibalistic, Jenny Hollingworth and Rosa Walton want you to join them in the supermarket of their dreams.
Parquet Courts are practicing a kind of self-care: the self-care of rebellion, of questioning, of not taking things at face value.
Tinashe is confident and proud, but at the end of thirty-six minutes there doesn’t seem to be a clear understanding of who she is.
A hodgepodge of contemplations on love at its best and worst.
Over fortified vocal harmonies, punching rock drum beats, and growling guitars that ring like fire alarms, Dream Wife have conceived a pointed but fun debut.
