Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
deary, Birding
Sounding like a band well into their second decade of existence, the London-based dream-pop trio stretch each song on their debut without letting them overstay their welcome.
Flea, Honora
While the Red Hot Chili Peppers bassist’s collaboration-heavy foray into jazz occasionally errs on the side of pensive, it’s never anything less than heartfelt.
Robyn, Sexistential
The Stockholm-based electropop auteur’s ode to motherhood falls right in line with her always-mature, somewhat-confrontational manner of making desire-driven dance pop.
Maria Lewczyk
If we’re due for another wave of emo soon, we’re looking somewhere colder than Eastern Pennsylvania.
Along with a playlist curated by the band, Austin Getz goes deep on his newfound love of jazz.
The Title Fight vocalist juggles his internal and external worlds on “Looking Through the Shades,” his debut LP for ANTI-.
Frontman John Galm opens up about his struggles with mental illness and how he channeled it into his current project’s new album, “strength.”
It’s fun, it’s frivolous, it’s insightful.
With “Panorama” marking the Grand Rapids emigrants’ first album in five years, Dreyer tells us what set the project into motion.
Debut album “Crush on Me” explores maturity, queer identity, and how it all relates to the frosted pink, hardcore world we live in.
Saturn is the center of our universe, and gothbois love it.
“Better Oblivion Community Center” is a folk rock album that proves Conor Oberst and Phoebe Bridgers to be perfect singing companions.
