With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Leaving Time, Angel in the Sand
At various turns haunting, alluring, catchy, and confident, the Jacksonville shoegazers’ well-considered debut introduces the band with aplomb.
Bryan Ferry, Retrospective: Selected Recordings 1973-2023
Far from isolating Ferry from Roxy Music, this 50-year retrospective examines collaboration as the throughline between his elegant early material and his latter-day paeans to loneliness.
Mount Eerie, Night Palace
Phil Elverum decries genocide and gentrification while exploring more personal themes that once again unify his distorted lo-fi recordings as a cohesive testament to feeling insignificant.
Maria Lewczyk
If we’re due for another wave of emo soon, we’re looking somewhere colder than Eastern Pennsylvania.
Along with a playlist curated by the band, Austin Getz goes deep on his newfound love of jazz.
The Title Fight vocalist juggles his internal and external worlds on “Looking Through the Shades,” his debut LP for ANTI-.
Frontman John Galm opens up about his struggles with mental illness and how he channeled it into his current project’s new album, “strength.”
It’s fun, it’s frivolous, it’s insightful.
With “Panorama” marking the Grand Rapids emigrants’ first album in five years, Dreyer tells us what set the project into motion.
Debut album “Crush on Me” explores maturity, queer identity, and how it all relates to the frosted pink, hardcore world we live in.
Saturn is the center of our universe, and gothbois love it.
“Better Oblivion Community Center” is a folk rock album that proves Conor Oberst and Phoebe Bridgers to be perfect singing companions.