With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue
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Sinai Vessel, I Sing
Caleb Cordes provides a thoughtfully nuanced thesis statement for his heartland indie-rock project as he paints a portrait of an artist working under the long shadow of late capitalism.
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BLK ODYSSY, 1-800-FANTASY
On his third showcase of vivid storytelling under the moniker, Juwan Elcock adds early 2000s pop-rock to his pre-established melting pot of R&B, hip-hop, funk, and jazz.
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Wand, Vertigo
The Cali psych-rockers offer tangible connections between their early, blazing garage bashers and later forays into more progressive terrain with their adventurously cohesive sixth LP.
Matty Pywell
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Claire Cottrill goes all in on love on her third album, with slick, sophisticated, and richly detailed modern production fortifying the confidence and intimacy of her storytelling.
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The Bikini Kill/Le Tigre vocalist discusses her new autobiography Rebel Girl and the feminist-punk movement’s lasting impact on mainstream pop.
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The NYC-based songwriter shares 10 tracks that helped shape her debut album, which arrives this week via Tender Loving Empire.
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Touching upon all the highs and lows of a relationship, the cult alt-R&B figure’s third record sees her leaning into directness, collaboration, and desire.
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Samuel T. Herring discusses processing grief through songwriting on the group’s seventh LP People Who Aren’t There Anymore.
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The Parquet Courts vocalist takes a back-to-basics approach on his second solo album while provoking the listener into deep thinking rather than laying down absolutes.
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The electropop trailblazer’s 16th LP reignites her commitment to small reinventions in order to suit the modern pop landscape.
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Inspired by experiences finding acceptance in London’s queer clubbing culture, the debut album from The xx’s co-vocalist is an expression of boundless joy.
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Sadie Dupuis and Audrey Zee Whitesides share how Rabbit Rabbit, the band’s first record in five years, is grounded in community and dedicated to progress.
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The LA-based songwriter’s debut album chronicles a search for a sense of place as Reid’s self-coined “mountain pop” gets ramped up to its most euphoric potential.
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Dustin Payseur discusses how birth, death, and acceptance helped sculpt the group’s fifth LP.
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The London-based dance-pop icon’s fifth album can be seen as a manifesto for following your own instinct toward highs both material and physical.
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The sixth LP from the evolving punk trio charts the story of a band who have become a family ready to heal the wounds found in their past.
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We connected with the songwriter in London to discuss her first headlining set in the UK and her transitory new LP Honey.
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The Australian songwriter talks boundaries, touring, and Jesus Christ Superstar.
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Stuart Murdoch and Chris Geddes discuss the impact of COVID, spirituality, and everyday life on the band’s first new album in seven years.
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The NYC-based trio discuss the experiments and newfound confidence contained within their third album.
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Lindsey Jordan discusses her anticipated sophomore LP before it drops this Friday.
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Mackenzie Scott discusses the seismic personal shift that led to the new sound on her latest record—and leaning into her “arena country” moment.