Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Boards of Canada, Inferno
The Scottish duo’s first album in 13 years is their most evocative yet, presenting a series of down-tuned tones and dark chordal scores rippling with cryptic samples and robo-voice blips.
Paul McCartney, The Boys of Dungeon Lane
On his 20th album, the octogenarian pop-rock architect builds a time machine out of scuffed acoustic guitars, warm tape hiss, and the kind of indelible melodies that cast a long shadow.
Iceage, For Love of Grace & the Hereafter
By returning to the rustic environment that birthed their mid-career peak, the Danish post-punks rekindle their core artistic flame with a masterclass in controlled chaos.
Matty Pywell
The DJ and dream-pop band leader discusses leaning into collaboration on her second album, Written Into Changes.
Euan Manning shares how the Irish rockers balanced vulnerable autobiography and total fiction on their debut album Masquerade.
The London trio talks stepping out of the shadows on their confident fifth record Some Like It Hot, which was inspired by dreaming, nightlife in their hometown, and a newfound sense of belonging.
Electro-pop and dreamy grooves are largely replaced with rich ’60s-style folk-pop on the artist’s isolation-inspired third album, wherein self-doubt feels like a secondary character.
The NYC-based project’s second album delights in its confident sense of chaos, with vocalist Cole Haden knowing full well there’s no way we’re going to avert our gaze for a single moment.
The songwriter shares how everyone from Kendrick Lamar to Burial helped inform his sound on his therapeutic third full-length.
Dream-pop songwriter Amelia Murray returns seven years after her debut with a newfound confidence and a conscious effort to loudly reclaim her best years.
Phil Elverum decries genocide and gentrification while exploring more personal themes that once again unify his distorted lo-fi recordings as a cohesive testament to feeling insignificant.
Nearly a decade after his solo debut, the xx producer curates a host of guest vocalists and lucid messages regarding the communal power of raving until the early morning.
On their second LP, Mica Tenenbaum and Matthew Lewin get lost in an overly conceptual sci-fi cinematic narrative before ultimately revealing the project’s beating heart.
Kevin Krauter and Nina Pitchkites discuss how happenstance informed their debut album of boundaryless indie-pop.
Claire Cottrill goes all in on love on her third album, with slick, sophisticated, and richly detailed modern production fortifying the confidence and intimacy of her storytelling.
The Bikini Kill/Le Tigre vocalist discusses her new autobiography Rebel Girl and the feminist-punk movement’s lasting impact on mainstream pop.
The NYC-based songwriter shares 10 tracks that helped shape her debut album, which arrives this week via Tender Loving Empire.
Touching upon all the highs and lows of a relationship, the cult alt-R&B figure’s third record sees her leaning into directness, collaboration, and desire.
Samuel T. Herring discusses processing grief through songwriting on the group’s seventh LP People Who Aren’t There Anymore.
The Parquet Courts vocalist takes a back-to-basics approach on his second solo album while provoking the listener into deep thinking rather than laying down absolutes.
The electropop trailblazer’s 16th LP reignites her commitment to small reinventions in order to suit the modern pop landscape.
Inspired by experiences finding acceptance in London’s queer clubbing culture, the debut album from The xx’s co-vocalist is an expression of boundless joy.
Sadie Dupuis and Audrey Zee Whitesides share how Rabbit Rabbit, the band’s first record in five years, is grounded in community and dedicated to progress.
