Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Courtney Barnett, Creature of Habit
Still flatliningly deadpan, the Australian songwriter uses the back-and-forth fear of the new as a start point for further depth-diving and confession on her fourth solo album.
The Twilight Sad, It’s the Long Goodbye
The sixth album from the Scottish proponents of existential angst is centered around the intertwining duality of death and life, fueled in turn by feelings of despair, disbelief, and defiance.
deary, Birding
Sounding like a band well into their second decade of existence, the London-based dream-pop trio stretch each song on their debut without ever letting them overstay their welcome.
Mike LeSuer
The Ventura punks’ new “Screeching Weasel worship” tune arrives ahead of their album When the Band Breaks Up Again, dropping September 8 via SideOneDummy.
It’s the final single landing ahead of the ever-mutating Detroit collective’s new album Perfect Savior.
The track will come packaged with Kurt Vile’s take on another song by the Seattle rockers on October 27 via Suicide Squeeze.
Marshall Gallagher cites Catherine Wheel, White Reaper, Deftones, and more as influences as he takes us track by track through the LA shoegazers’ third LP.
The Phoenix-based songwriter’s sophomore record somebody in hell loves you arrives September 15 via Rude Records.
The Brooklyn-based art-punks land alongside Chad VanGaalen, Tough Age, Idle Ray, and more on the label compilation arriving August 25.
Chris Forsyth and Movietone’s Kate Wright join the band on the first single from their new LP New Earth Seed, arriving September 22 via Arrowhawk Records.
Their collaborative debut album Doubles will arrive September 22 via Orindal Records.
Domino, Blue Broderick’s follow up to last year’s Four Wheels and the Truth, lands August 18 via Bar/None.
The second single from BROODS’s Georgia Nott under the solo moniker arrives ahead of her debut EP Fish Bird Baby Boy, out October 6 via Luminelle Recordings.
Lutalo Jones’ new EP AGAIN is set to arrive August 25 via Winspear in the midst of touring alongside Katy Kirby and Claud.
Following their 2017 collaboration “Funk That,” the veteran producer and nu-disco duo reteamed for a cut on Nickodemus’ recent LP Soul & Science.
After sharing a dispatch from the studio last week, the songwriter has since revealed that new LP The Land Is Inhospitable and So Are We will arrive September 15 via Dead Oceans.
Denzel Curry
A shortened version of the track was released last week with an Omar Jones–directed visual.
The LA post-punks’ latest record Witness Marks arrives September 22 via God? Records, Ty Segall’s Drag City imprint.
The Austin/OKC-based noise rockers’ sophomore album (dream dump) will arrive September 22 via Born Yesterday Records.
No More Blue Skies, Andrya Ambro’s third album under the no-nonsense no-wave moniker, is out October 20 via No Gold.
The new collection of folk-rock “self-help hymns” arrives August 25 via Orindal Records.
Co-directed by her husband Ron Gallo, the visual arrives ahead of Chiara D’Anzieri’s first English-language LP Imported.
The title track from the guest-heavy Los Angeles arrives today with LCD Soundsystem’s James Murphy on vocals.
