Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Weezer, Weezer [Gold Album]
The band’s seventh color-coded self-titled release presents their signature nerdish power-pop at its most brutal—all schlocky riffs, thundering beats, and scuzzy guitar tones.
Brandon Flowers, Thrasher
The Killers frontman’s third solo album achieves a past-perfect C&W sound and earnest, emotional delivery when it isn’t weighed down by Springsteen homage.
Lambchop, Punching the Clown
Kurt Wagner’s project returns to its most unvarnished form on his 17th album as he mourns the eerie grace of America’s flyover country through haunting, unadorned arrangements.
Mike LeSuer
It’s the second single from the Spokane-based shredder’s sophomore album, As It Was, As We Were.
Linnea Siggelkow shares how her sophomore record documents her search for a sense of home.
Officially dropping tomorrow, it marks the debut release from the Chicago-based duo comprised of members of Yautja, Coliseum, and Immortal Bird.
Inspired by Bill Withers and The Beatles, the Austin-based songwriter’s new track is the latest taste of his Easy Eye Sound debut Flying Away.
The LA-based songwriter shares a loose single ahead of a handful of live dates in Texas and California, including Big Sur’s Hypnic Festival.
Josh Shaw’s new album Basketball Camp will arrive June 14 via The Record Machine.
Leaning into their lyrical strength of expressing life as we know it as a visceral horror story, the sludge-rockers’ fourth album is equally notable for its unexpected instrumental flourishes.
Landing ahead of their upcoming tour with Airiel and Blushing, the rework leans into the ambient direction of the Montreal dream-pop duo’s latest LP.
Melkbelly vocalist Miranda Winters shares 17 tracks that helped shape her debut solo album, which arrives this week via Exploding in Sound.
Tilted Planet, the debut project from Warehouse’s Genesis Edenfield and Ben Jackson, will be out May 17 via Danger Collective.
It’s the first track from the Alabama-based songwriter’s newly announced EP, as well as her first single released through new label Winspear.
The NYC-via-NC rapper breaks down each of these 10 tracks unified by a sense of emotional catharsis.
The Phoenix shoegazers will be playing shows out West with Interpol, DIIV, and SASAMI this summer.
The second album from the Seattle-based collective fronted by Natasha El-Sergany is officially out tomorrow via Doom Trip Records.
The DC post-punks’ new record is out today via Topshelf Records.
The two songwriters have recently been collaborating on songs for Spirit’s debut EP coin toss.
It’s the first single from the Portland-based songwriter’s newly announced Roseway EP, arriving June 14 via Arrowhawk Records.
The Dublin quartet fusing techno and industrial rock are gearing up for summer festival season.
Released in celebration of Titanic Rising’s fifth anniversary earlier this month, the revived visual originally began filming in 2018.
The Chicago punks announce their debut album Did You Get Better will arrive May 31 via Exploding in Sound.
